JD Barker, International Bestseller, Presenter and Keynote at the Write Stuff Writers Conference™

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Crossing Genres, Indie to Traditional, international bestselling author, JD Barker, Writing, Writing Conferences, Writing Craft, Writing Development, Writing Thrillers, Writing Workshops

JD Barker, international bestselling author, will be the headliner and Keynote Speaker at the GLVWG Write Stuff Writers Conference™, “2020 Vision”, on March 13 -14 at the Best Western Lehigh Valley Hotel & Conference Center.

Friday, March 13, JD will facilitate a Full Day Writing Development Workshop.

On Saturday, he will give sessions with From Indie to Traditional; Every Dirty Little Secret You Need to Know, and Crossing Genres – and Why You Should Do It!

Scroll down for details

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Biography:

J.D.Barker (Jonathan Dylan Barker) is an international bestselling American author whose work has been broadly described as suspense thrillers, often incorporating elements of horror, crime, mystery, science fiction, and the supernatural.

J.D. Barker has successfully crossed over from horror, to paranormal, to thriller, and back again, snatching readers from multiple genres and expanding his audience like a literary Pied Piper. Learn how to avoid the genre box and tell the story you want to tell to the largest possible group.

As a child I was always told the dark could not hurt me, that the shadows creeping in the corners of my room were nothing more than just that, shadows. The sounds nothing more than the settling of our old home, creaking as it found comfort in the earth only to move again when it became restless, if ever so slightly. I would never sleep without closing the closet door, oh no; the door had to be shut tight. The darkness lurking inside needed to be held at bay, the whispers silenced. Rest would only come after I checked under the bed at least twice and quickly wrapped myself in the safety of the sheets (which no monster could penetrate), pulling them tight over my head.

I would never go down to the basement.

Never.

Learn more about JD Barker at jdbarker.com

 

And in case you hadn’t noticed, JD will be speaking on Friday the 13th. 

 

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An Interview with JD Barker

By Conference Chairman – Charles Kiernan

Question: What’s the most important lesson you’ve learned from rejections?

JD Barker: I’ve never actually been rejected. When I queried agents, I had 13 offers of representation in less than two weeks. So far, all my books have sold either at auction or via pre-empts. Fingers-crossed that that continues! I think this is largely due to my writing process. I’ll cover this in detail during my talk.

Q: Do you have a disciplined writing routine? If so, what does it include?

JD: Absolutely! Routine is key for any writer. I’m at my desk every day by 8am and I work until 3pm. I don’t turn on the internet until I’ve got at least 2-3k words down on paper.

Q: What advice can you give beginning authors in establishing their brand and media presence?

JD: Get a website and an email address early on. When I say email, I mean NOT a gmail address (like jdbarker_3023543@gmail.com) but a real one (jd@jdbarker.com) – this tells everyone in the industry – from agents, to publishers – that you are serious about creating a brand. So many authors don’t bother and don’t realize how this hurts them behind closed doors when the marketing staff discusses an author.

Q: What projects are coming up next for you?

JD: I’m currently working with James Patterson, co-authoring his first horror novel.

Q: What was your favorite or most memorable story you heard as a child?

JD: GREAT EXPECTATIONS was an early read for me and one I’ve always been fond of. I burned through all the classics shortly after reading that one. LORD OF THE FLIES was another.

 

You can follow JD Barker’s active Q&A forum at Goodreads.com JD Barker Questions.

 

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Friday March 13, 2020

Full Day Writing Development Workshop

Submit your novel in advance to have it critiqued by the number one international bestselling author. Obviously not all submissions can be critiqued, but he will ask for volunteers, and choose a number of works at random if no one is willing.

Works in progress in any genre are welcome.

One of the best ways to improve your writing is to have a mentor read and critique your work. Almost as good, and sometimes even better, is to hear the critique of other folks work and compare it to how you responded to the writing.

This is a rare and not-to-be-missed opportunity to improve your craft by having a world renowned successful author share his expertise with you. JD Barker worked as a “Book Doctor” for over twenty years, refining what works, what pulls the reader in, and what impresses the agents. Do not let this opportunity pass you by.

JD will call for volunteers from the audience, and if no one is willing, he will choose a number of works at random from all submissions and focus on those.

He’ll isolate the problem areas and through brainstorming, work with the audience to correct the issues. Things like passive voice, adverbs, bad dialog tags, unnecessary filler words, showing vs. telling, weak start, etc…

Work will be critiqued anonymously, unless you volunteer, in which case everyone will know who you are.

Submit your work (MS WORD or APPLE PAGES ONLY PLEASE).  The link to submit your work will be in your registration acknowledgement email.

 

 

Saturday March 14, 2020

From Indie to Traditional; Every Dirty Little Secret You Need to Know

J.D. Barker successfully published his debut as an indie and sold enough copies to land on the radar of the traditional publishers in a BIG way including seven-figure advances, two feature films, and a television program.

He’ll open his toolbox and explain exactly what he did to make it happen. His sessions are not to be missed by any aspiring author or seasoned veteran trying to find their place in today’s publishing world.

 

Crossing Genres – and Why You Should Do It!

From the moment you send out your first query letter, your work will be labeled by agents, publishers, and booksellers. Instead of resisting the urge to be labeled, J.D. will teach you why you should consider labels a way to make your books, and your author platform, more marketable.

Learn how to avoid the genre box and tell the story you want to tell to the largest possible group with the help of J.D. Barker who has successfully crossed over from horror, to paranormal, to thriller, and back again.

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In the riveting conclusion of the 4MK trilogy, Barker takes his thriller series to an entirely new level with his latest novel, The Sixth Wicked Child. Don’t miss a single word of the series James Patterson called “ingenious.”

Hear No Evil

For Detective Sam Porter, the words “Father, forgive me” conjure memories long forgotten; a past intentionally buried. For Anson Bishop, these three words connect a childhood to the present as he unleashes a truth concealed for decades.

See No Evil

Found written on cardboard near each body, these words link multiple victims to a single killer—discovered within minutes of each other in both Chicago and South Carolina—clearly connected yet separated by impossible miles.

Speak No Evil

Chicago Metro and the FBI find themselves caught in chaos—a hospital on lockdown, a rogue officer, and corruption at the highest levels. When Anson Bishop, the prime suspect in the notorious 4MK serial murders turns himself in, he reveals a story completely unexpected, one that not only upends the current investigation, but one that will change the lives of all involved.

Do No Evil

With unrelenting tension and pulse-pounding suspense, the past unravels at breakneck speed as the truth behind the Four Monkey Killer’s motive is finally revealed in this masterfully crafted finale.

You can find all of JD Barker’s books on Amazon.

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You can find JD on his website: https://jdbarker.com/ ,

and his social media links:

https://www.facebook.com/therealjdbarker

https://jdbarkerauthor.tumblr.com/

https://twitter.com/jdbarker

https://www.instagram.com/jdbarker_author/

https://www.goodreads.com/author/show/8224327.J_D_Barker 

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An Interview with Jon Gibbs

Tags

Story Characters, Writing, Writing Conferences, Writing Craft

Author Jon Gibbs has been a mainstay for the GLVWG Write Stuff Conference™ for several years. In addition to his Saturday morning session – “Are Your Characters Right the Part”, Jon will conduct a two-hour workshop – “The Seven Sentence Solution”.

 Tammy Burke had a chance to ask Jon a few questions.

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Could you give us a little teaser about your two-hour workshop “The Seven-Sentence Solution” and also a teaser for “Are Your Characters Right for the Part?”

There’s a classic summary-tool used by great story-tellers like the folks at Pixar Animation.

In The Seven-Sentence Solution, I’ll be showing how to apply that same tool to sub-plots and individual characters in a way that can really help bring a book, and the people in it, to life.

In the Characters workshop, we’ll be working through some subtle techniques that can make the people in stories even more memorable/relatable to readers.

If you wrote a letter to your younger self about the writing journey, what would it say and what advice would you give?

There’s always going to be a great excuse for not writing, something that seems more important, more urgent, or simply more enticing. The question is: Would you rather look back in twenty years and have a body of work to be proud of, or a long list of great excuses?

Basically, don’t let your ‘but’ get in the way of your dream.

On your website I see you do Classroom talks with 3rd graders on up and I see one of your talk modules is entitled “Terrific Titles.” Titling for anyone can be challenging in of itself. What are your techniques for titling your works and what advice would you give an aspiring author?

I always start with the title because I suck at coming up with one after I’ve written the story. If you brainstorm titles before you start writing, you’ll be surprised how easy it is to come up with something eye-catching. As an added bonus, a great title can be a huge inspiration for characters and/or plot.

It’s always interesting to learn how other writers juggle writing time with family and work commitments. What strategies work best for you?

I try to get my writing done in the mornings because I have to fit my schedule around my twin daughters. They’re both severely autistic which makes for a lot of unexpected excitement (and plenty of sleepless nights). If I’m not careful, days, even weeks, can go by without me doing much on the productivity front, but I’ve learned to make the most of it when things are going well, and not to beat myself up when I hit a rough patch.

What resources do you use to research? How long do you typically spend researching before beginning a book? And what are you working on currently?

Mostly, I use Google, but I rarely do much research until I have the initial story down. My first drafts are riddled with notes like: INSERT: check this, INSERT: research needed (not to mention INSERT: witty line here or INSERT: write this gooder!).

Currently I have five projects on the go: I’m seeking representation for my middle-grade novel, ABRAHAM LINCOLN STOLE MY HOMEWORK. I’m revising two other novels: DEAD DORIS (MG), and a thriller, WAKING UP JACK THUNDER. For my next wip, I’m bouncing around ideas for two MG novels, GLASS-HEAD, and #MY_SUCKY_LIFE – I’ll decide which one to focus on when I have their outlines finished.

When did the “writing bug” bite you? And what was your favorite genre and/or books at that time. Why? 

I was in my 40s when I started writing. Before then, I hadn’t written a word of fiction since leaving school – unless you count tax returns. That changed when I started walking my son, Bill, to his primary school in England. He’d pick an animal, and I’d make up a story about it, with Bill as the main character (I still remember one about a giraffe who was afraid of heights).

I’ve always been an avid reader. At the time, my favorite author was probably Terry Pratchett. I love books that make me laugh, especially when they also put you through the emotional wringer, which Pratchett’s books often do.

And finally, is there anything that you would recommend giving up to become a better writer? Is there anything you’ve given up in order to become one? 

I would recommend that anyone serious about writing gives up complaining and/or arguing online. Social media can be a beautiful thing, but if you’re not careful, you can get sucked into the ‘With us or against us’, ‘If you don’t think like me, you’re stupid/evil’ mentality that seems par-for-the-course these days. Some folks love to surf the web, trolling people they disagree with, or reading the spiteful back-and-forth of folks who probably wouldn’t dream (or dare) be so obnoxious in person, but that kind of bile is pure poison for creativity. In this digital age, we all have to get online, but if you ask me, the world would be a better place if the internet had more funny cat videos and less pointless arguments.

When I moved here from the UK in 2004, I made a conscious decision to give up music, and focus on writing stories instead. Before then, I’d been lead vocals and keyboard player in a rock band since the late eighties. As far as fame and fortune goes, we were very much a legend in our own lunchtime, but we had a lot of fun, especially writing and recording songs.

I don’t know if giving up singing has made me a better writer, but I’m sure my neighbors are happier.  

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John Gibbs

Born in England, Jon Gibbs now lives in New Jersey, where he lectured on Creative Writing at Georgian Court University from 2014-2017. Jon is the founder of The New Jersey Authors’ Network (www.njauthorsnetwork.com), his middle-grade fantasy, Fur-Face (Echelon Press), was nominated for a Crystal Kite Award. The sequel, Barnum’s Revenge (also from Echelon Press), was published in 2013.

Jon has a website: www.acatofninetales.com and a blog: http://jongibbs.livejournal.com. When he’s not chasing around after his three children, he can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.

 

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Article by Tammy Burke

Tammy Burke, past GLVWG conference chair and  president, has published over 400 articles in daily newspapers, newsletters and regional magazines. She is shopping her first YA fantasy manuscript, Hazel Lies, and is revising her second book. In addition to writing, she spearheads marketing for a fire and security systems company, raises a brilliant ADHD middle-grader, fences with rapier swords in  the Society of Creative Anachronism (SCA), and considers herself a student of the fantastic and mundane.

 

An Interview with Keynote Speaker, Ben Wolf

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GLVWG Program Speaker, Reader Engagement, Splickety Publishing, Storytelling, Writer's Conference, Writing, Writing Flash Fiction, Writing through Adversity

We introduced Ben Wolf our Keynote Speaker for the GLVWG Write Stuff Conference™ , March 21 – 23, 2019, in our WordPress Blog – January 14. On Thursday, he kicks us off with Into the Deep: An Advanced Study of Speculative Fiction. On Friday, he’ll engage conference attendees in a discussion on The Three Pillars of Storytelling. Saturday, Ben will conduct seminars on Backstory: Your Secret Weapon to Engaging Readers, and Writing Flash Fiction that Sells.

Don’t miss his keynote speech during Saturday lunch, Writing Through Adversity.

GLVWG member, Joe Fleckenstein, took some time to ask Ben a few questions.

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In an interview with Geeks under Grace in 2014 you mentioned that you very much favored Frank Peretti’s writing and, in fact, you read his book The Oath at least a half dozen times. That’s saying something. What was it, specifically, that you admired in Peretti’s writing that you found so enthralling? Would it be fair to say there’s a similarity to some degree between Peritti’s style and what is to be found in your Blood for Blood?

Frank Perett’s writing captured my imagination at an early age. In part, it was some of the first “grown-up” fiction that I was exposed to, so the level of intrigue, drama, and even violence in his stories grabbed me and didn’t let go. The main reason I read The Oath so many times is that its high concept is brilliant, yet simple, and it is flawlessly executed. I can’t say much more about it without giving away a major plot point, so go read it and you’ll see what I mean.

With regard to my own writing, Blood for Blood did feel Peretti-esque, I think, in some ways. It has a dark feel to it (like much of Peretti’s work does, especially his earlier works), and I think I deal with that darkness in a unique way which is something Peretti does frequently as well. My latest novel (at least at the time of this interview), a sci-fi/horror story called The Ghost Mine, sways less toward Frank Peretti and more toward Robert Liparulo’s style of thriller storytelling. I’d say that in recent years, Robert Liparulo has usurped Frank Peretti as my favorite author.

Splickety, the flash fiction magazine you edited, is scheduled to close down. To what do you attribute the closure? Has the interest in flash fiction peaked? What’s the future for flash fiction? Are you personally finished with flash fiction?

I will always love and continue to write flash fiction stories, and flash fiction has such fantastic value as a tool to learn how to write better fiction. The closure primarily comes as a result of me realigning my priorities in publishing. For years, I ran Splickety to offer new authors a path to professional publication. Those publishing opportunities with Splickety helped me develop a career teaching at writers conferences nationwide and freelance editing for other authors.

Over the last year, I realized that though I had succeeded in the conference scene and in freelance editing, I was doing a poor job of pursuing my own personal dreams of becoming a multi-published, full-time author. So I took a hard look at what I would need to do in order to move toward that actual goal of writing full-time, and I realized that had some considerable changes to make in order to get that to happen. Unfortunately, shutting down Splickety is one of those changes.

Your proclaimed genres are Christian and horror. Christians say “love thy neighbor as thyself” and “do unto others as you would have them do unto you.” How do you rectify these positions with a character bent on, say, using a stiletto on someone’s kidney? Will the real Ben Wolf stand up?

This is a great question, and I’m so glad you asked it. How do Christianity and horror go together? I’ve given a lot of thought and had a great many discussions about this over the years. It’s a complicated discussion, and there is no one right answer, but I’ll give you my thoughts on it as succinctly as I can:

A read-through of the Bible reveals plenty of horrific things happening–both natural and supernatural. People are brutally killed, demons torment humans, God opens up holes in the ground to swallow people whole and sends serpents to bite them and strikes people down for touching the ark of the covenant–the list goes on from there.

Are these “good” things? Not really. But the authors of the Bible included them for a reason: to show how horrific life can be, specifically with the intention of drawing a comparison between a life walking with God and a life separate from God. As I said, this is a huge discussion, and I don’t want to ramble on forever, but suffice it to say that horror as a genre or as a feature in any other genre (I’m working on a dark fantasy series as we speak, for example) is an excellent tool that an author of any stripe can use to their advantage to convey a message and tell a great story. And furthermore, I am not the same as my characters; I have a mind of my own, and they’re fictional beings. So they can stab kidneys with stilettos all day long, but it really gives no indication of who I am as a person.

Sidebar: One of the sessions I’ll be teaching at the conference is an extended presentation on Horror and how to wield it effectively. We’ll have plenty of time for discussion about this topic in more detail there, so I encourage any interested folks to sign up for the conference so we can delve deeper into the darkness together.

At the upcoming GLVWG conference, you may expect to have a variety of aspiring writers in attendance. There will be writers who do explicit sex, a few who do YA, those who do pieces with a religious bent. No doubt, others too. Do you have a common set of recommendations, advice, or taboos you might pass along to this varied group?

Yes. The key thing that I’ve learned over the last year is that you MUST know your audience. You must know what they like to read and what they expect to find in the books they read. 

A lot of writing advice out there states something to the effect of “write the story of your heart and find an audience for it.” There’s a counterculture of primarily independently published (aka self-published or “indie”) authors who start by identifying their preferred audience and then writing books that will energize and excite that audience.

Many of those indie authors are making six figures a year writing. I know a handful of them, and I know a couple who are making seven figures a year using this strategy. So if your goal is commercial success, then choose a ravenous target audience in a genre that you’re interested in writing, read a lot of best-selling books in that genre so you can identify what elements readers are looking for, and then craft a story that will satisfy readers’ appetites accordingly.

Every wannabe writer at sometime in his or her life will think about using an agent. What is your experience with agents? There will be agents at the conference. Do you use an agent? The same agent for the different pubs? Experiences with agents are always of interest. What’s yours?

I’ve had two agents thus far, and now I am technically agent-less. A good friend of mine is a top agent in the industry, and he has informally offered to send anything out for me whenever I want him to, but right now, I’m focused on indie publishing because it is likely going to be the quickest and most lucrative path for me.

Please note that this is a decision I came to based on a lot of publishing experience (I spent seven years chasing traditional publishing and not getting anywhere) and working with two agents prior. I’m not at all saying it’s the right path for everyone–some of my closest friends are traditionally published authors who are making a living off of their writing.

The key thing to understand when working with an agent, at least from my perspective, is that no one will ever care more about your book than you. Therefore, you are in most ways the best person to sell it. A good agent should have connections to the folks you want to get your book in front of, and a great agent will have a solid understanding of your genre and the readership for your writing as well as some sales ability. Truly excellent agents are rare, just like top-notch folks in any industry, and thus they’re harder to land.

At the end of the day, the only thing any author can control is the work that they themselves do on their writing and on their career. So work to achieve new levels of productivity, quality, and imaginative storytelling so as to improve your chances whichever route you choose to take.

Tell us about your human side. You write a lot about blood. Does the sight of blood bother you? When you give blood, do you watch the needle go in or do you look the other way? Could you butcher and clean a chicken?

I’m on the fence with blood. A little blood here and there in real life is fine. A lot of blood and I do start to get queasy. I’m not big on needles, but I got a tetanus shot and a blood draw a few weeks ago, and I watched the whole time. In crisis situations, I tend to handle trauma pretty well, so I would think that if someone’s life were on the line, I could probably throw up real quick and then do whatever I could to help the person in need. I also practice Brazilian jiu jitsu, so I’m comfortable choking people and manipulating their joints.

With that said, I’m generally a peacemaker rather than a person who seeks out physical confrontation. Though I can probably hold my own in such a conflict, I would prefer to avoid it. Butchering a chicken doesn’t sound like the worst thing ever, and animal blood doesn’t gross me out quite so much. I field-dressed a pheasant once, and I don’t really eat vegetables, so in the apocalypse, I guess I’d find a way to do what I had to do in order to survive–chickens or otherwise.

We, of GLVWG, will be looking forward to seeing you in person and to hearing you speak about one of our common, favorite topics: writing.

I’m really honored and excited to have the chance to join you!

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Ben is the founder and owner of Splickety Publishing Group, the publisher of three flash fiction magazines. He has edited, written, and/or published over 100 published works and has taught at 40+ writers conferences nationwide.

Ben currently has one novel on the market, The Ghost Mine, a gripping sci-fi/horror novel sure to thrill you and chill you late into the night. Ben has also published a children’s book and will be publishing the first books of a nine-book fantasy series in early 2019. You can find his books on Amazon.com.

You can find Ben at benwolf.com or follow him on Twitter, Instagram, and on Facebook.

 

Ben and his wife Charis Crowe (who sometimes is his presentation partner) live in ­­­­­­­Iowa with their children. Charis is also presenting at the conference, and you can read Charis’ interview on our WordPress Blog – February 27.

 

 

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Article by Joe Fleckenstein

Joseph E. Fleckenstein, active GLVWG member for nine years and club treasurer for two years, has published over 35 items. The list includes technical papers, online courses, and 22 short stories in ezines and print magazines. In 2015 CRC Press published his technical book Three Phase Electrical Power. His novel The Kurdish Episode will soon be available at Amazon. Additional bio particulars are available at his website www.WriterJEF.com.

An Interview with David Fessenden

Tags

Christian Writers, Editing, Fiction, Indie Publishing, Non-Fiction, Publishing Contract, Writing, Writing Conferences

Article by Jerome W. McFadden

 

We first introduced David E. Fessenden with a recent article in the February 9 GLVWG Conference Blog.

GLVWG author, Jerry McFadden, had a chance to ask David a few questions.

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Jerry: If I were to meet you at a conference, what is something you would tell me about yourself that would be intriguing? Pls do not use anything from your bio.

I have double-jointed elbows!

Jerry:  Who are your favorite authors and why?

A.W. Tozer — He said that a really good book should be read slowly, and often cause you to pause in your reading, to meditate and pray; that’s what his books do for me. C.S. Lewis — He taught me to think more deeply about my faith. Alton Gansky — With his novels, he always seem to write himself into a corner, then resolves his impossible plots by pulling a rabbit out of his hat! 

Jerry: There are times when people relax at home – they read, crochet, and color in the Mandela pattern books. What are your favorite pastimes, other than reading?

Watching old movies — and I mean O-L-D — early talkies!

Jerry: What are the common traps for aspiring writers?

Trying to write books as your earliest attempts at writing, instead of articles, short stories, etc., etc.

Jerry: If you wrote a letter to your younger self, what would you say?

The more you write, the more you’ll get published.

Jerry: How many unpublished and half-finished books do you have? Do you have plans for them?

Probably a half-dozen. I hope to finish most of them, though a couple are real dogs, I have to admit — so I probably won’t ever get those done!

Jerry: What age did you start writing? What was your favorite genre at that time and why?

I started in earnest in high school, and liked to write short stories, probably because I didn’t think I’d ever be able to finish a full novel.

Jerry: What kind of research do you do and how long do you spend researching before beginning a book?

I don’t know — I start researching after beginning a book. How do you know what to research until you know what you’re writing about? I research on and off all through the book writing process.

Jerry: What one thing would you give up to become a writer?

I really should give up more of my free time — and I’m going to have to if I want to get some of those unfinished projects done.

 

 David will be at the The GLVWG Write Stuff Writer’s Conference™ on March 23, 2019 to speak about Publishing Contracts, the Author-Editor Relationship, The Dreaded Outline, and Edition Your Own Material.  

To read more on David, visit:

• Nonfiction writing blog: www.FromConceptoContract.com
• Author/publisher website: www.DaveFessenden.com

And don’t forget to visit his Amazon Page for books he’s written.

 

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Article by Jerome W. McFadden

Jerome W. McFadden’s stories have appeared in various magazines, e-zines such as Flash Fiction Offensive, Eclectic Flash Fiction, and several anthologies –  River Tales , Over My Dead Body, Trails End, including Hardboiled: Crime Scene, Once Around the Sun, A Christmas Sampler, A Readable Feast, and Let It Snow.  Jerry has also been a prolific contributor to the BWG Author Roundtable series. 

Jerry has also won honorable mentions in Writer’s Digest Magazine annual national fiction awards, as well as in several regional writing contests. He received a Bullet Award for the best crime fiction to appear on the web. Two of his short stories have been read on stage by the Liar’s League London and Liar’s League Hong Kong. You can find his published short story works on Goodreads. 

 

 

An Interview with Dr. Larry Schardt, Presenter at the GLVWG Write Stuff™ Conference March 24, 2019

Tags

Handling Rejection, Role of Positive Self, Success that Rocks, Writing, Writing Conferences, Writing Success

Article by GLVWG’s  Charles Kiernan: 

Charles Kiernan first introduced Dr. Larry Schardt in a previous article on the GLWVG Conference Blog, February 10. On a mission is to plant seeds of love and happiness wherever he goes, Dr. Schardt will coach writers how to put a positive spin on rejection, and harness it toward writing success at the Write Stuff™ Conference March 24, 2019.

Charles asked a few questions of Dr. Schardt.

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Charles: Tell us your history, family, and hobbies.

Thanks for asking about life . . .

Hobbies . . . My main hobby is people. I love being with people, connecting, and celebrating life. Other hobbies I love are: Walking, skiing, reading, writing, learning, teaching.

Family . . .I am the oldest of nine, with many nieces and nephews. I am blessed that our family gets together regularly. We are all so different, but we recognize and respect each other for whatever quirks and OCDs we have . . . with Love!

History . . . My love of fiction began as a child, with bedtime stories for my eight younger brothers and sisters. Stories turned to writing in my teens, with poems and shorts inspired by love.

Throughout my career I wrote copy for articles, brochures, grant proposals, and endless reports. I also wrote and co-wrote several textbooks.

My early career began as a conservationist. Later I became the coordinator for a community service organization (Community Partnerships Resource Conservation and Development Council). My love of people and desire to pay it forward continued to grow.

My thirst for knowledge and love of people was enhanced once I took on a second career teaching at Penn State, 26 years ago (while still working as a coordinator).

Writing, speaking, and teaching are my full time jobs now.

Five years ago, I joined Kathleen Shoop as co-facilitator of the Mindful Writers Retreats, where I am blessed to get together (several times a year) with incredible writers to focus on our craft without interruption for out time at the retreats.

Focus . . . To continue to learn and grow my life with happiness and teach others through example.

Charles: Where does your moniker and exclamation of “Rock and Roll” come from? 

It’s my way of sharing the positive in life. Rock and Roll is a state of mind. Greeting people and wishing them “Rock ’n’ Roll!!!” is wishing them blessings of all that is good, good, good, and beautiful in life. No matter what kind of music moves you, it’s all . . . Rock ’n’ Roll!!!

Charles: You are an avid Facebook blogger. What is your purpose behind these blogs?

My daily Facebook blog is a way of thanking life and paying it forward.

Every post is an endeavor to connect with friends, appreciate the infinite everyday blessings of life, and learn ways to share positive spirit, happiness, and hope . . .

I get to start every day with a positive thought and then give and share that thought.

Whether it be a quote, story, proverb, anecdote, or some other way to appreciate . . . I am blessed to begin the day thinking about friends and celebrating the beauty of life.

In the words of Tom Peters . . . “Celebrate what you want to see more of.”

More . . . Giving . . . Gratitude . . . Personal Responsibility . . .

With Success . . . Happiness . . . And . . . Peace and Love

Charles: What are the central themes behind the work you do?

Encouragement . . . Happiness . . . Success . . . Hope . . . Peace, Love, and Rock ‘n’ Roll!!!

Charles: For aspiring writers, what are the common traps?

Allowing excuses to stop you from writing and reading. Write every day.

Another trap is getting discouraged by rejection. If we all got discouraged by rejection we wouldn’t have, Lord or the Rings, Harry Potter, Chicken Soup for the Soul, or Led Zeppelin!

Charles: If you were to write a letter to your younger self, what would you say?

Live the three secrets for Happiness and Success That Rocks . . . Take responsibility for your own life . . . Appreciate everyone and everything . . . Give for the greater good.

Work to improve yourself every day and in every way.

Rock more . . . Don’t waste time on worry and useless emotions . . . Be the best you can be . . . Be sincere . . . Listen to people . . . Open your heart . . . Enjoy love and live . . . Make the world a better place and serve others.

With . . . Peace, Love, and Rock ‘n’ Roll!!!

Dr. Larry Schardt encourages and incites you to achieve your writing goals and live a life that rocks. Larry knows what it is to live without peace and joy. His struggles in life led him to research the science and art of happiness and success. Happiness enhances creativity, crushes mediocrity, and frees your mind . . . enabling you to become the writer you are meant to be. Larry’s passion is people . . . He cares about your joy and wants to guide you to the path of achieving your maximum potential. For over 35 years, Larry’s presentations on writing, leadership, and happiness have motivated audiences across the United States (from Alaska to the US Virgin Islands). During that time Professor Schardt has taught at multiple universities and is currently at Penn State.

Through his workshops and classes he teaches secrets and tips to improve your writing, find your muse, and continue your personal growth. Larry’s daily Facebook Blog to entertains, encourages, and motivates his readers to live a life of Success That Rocks. You can also follow Larry on his uplifting Twitter link @LarrySchardt. 

Larry has several stories in “Chicken Soup for the Soul” books and is an award winning author. His daily Facebook blog inspires, encourages, and motivates. For the past five years, Schardt has co-facilitated the highly successful Mindful Writers Retreats. Rock your world with . . . Success That Rocks!

 

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Article by Charles Kiernan:

Charles Kiernan is the proud author of two, entirely unpublished, middle-grade fantasy novels. He is better known as a storyteller—as in, stand up in front of a crowd and tell them a tale. He has also pawned himself off as Mark Twain to the unwary, but with no success to literary agents.

Charles was featured on GLVWG Write Stuff Blog this past September, Charles Kiernan:  Mark Twain impersonator, traditional storyteller, and writer

He is also coordinator for the Lehigh Valley Storytelling Guild, Pennsylvania State Representative for the National Youth Storytelling Showcase, Pennsylvania State Liaison for the National Storytelling Network, recipient of the 2008 Individual Artist Award from the Bethlehem Fine Arts Commission, and grand slam winner at the Lehigh Valley Story Slam, November 2017.

He is proudest of his blog on fairy tales, Fairy Tale of the Month, which he has been writing since December 2010.

Be sure to follow him on Facebook, and his exploits as Samuel Clemons on his Lost Dollar site.

An Interview with Charis Crowe – Presenter at the 2019 Write Stuff Conference™ March 21 through 23

Tags

Author Voice, Book Marketing, Writing, Writing Conferences, Writing Craft, YA

Article by Idelle Kursman

 

GLVWG member, Idelle Kursman, introduced Charise Crowe, January 27 on the GLVWG WordPress Blog. As a follow-up, Idelle took some time to ask a few questions of Charise, who will be co-presenting with her husband, Ben Wolf, at the Write Stuff Conference™ March 21 through 23.

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Idelle: If I were to meet you at a conference, what is something you would tell me about yourself that would be intriguing? Please do not use anything from your bio.

 If we met a conference, you would probably start the conversation. I’m notoriously shy when left to my own devices, but I do love meeting and talking with other writers. If you asked about my hobbies, I would say that I crochet, I love to cook, and I’m trying to learn the ukulele–with mixed results. If we talked about politics I would say that everything swings on a pendulum, and remember to be kind, and that I have very well formed thoughts about our inevitable AI. overlords. If we chatted about life, I’d encourage you to take more time for yourself, focus on joy, and spend time in the sun.

 Idelle: Who are your favorite authors? Why were they favorites?

I’m a Hogwarts kid, so of course I love the Harry Potter series by J.K. Rowling. My current favorite authors are Neal Shusterman (Scythe and Thunderhead are particular standouts),  Lev Grossman (The Magicians Trilogy, with a TV series that really does the books justice), Scott Westerfeld (The Leviathon Trilogy was fantastic), and Jon Ronson (The Men Who Stare at Goats and The Psycopath Test) Shusterman, Grossman, and Westerfeld are all YA/New Adult authors who put their characters in imaginative far-flung worlds while keeping their character’s feet on the ground. Ronson is just a personal favorite. I love his style of Gonzo journalism and the ridiculous situations he gets himself into. He’s described himself as being high-anxiety and so his bravery in insane situations is something that I’m a bit envious of.

 Idelle: What are common traps for aspiring writers?

Vanity publishers. If someone is asking you for thousands of dollars to publish your work and you’ve 1) never heard of them, 2) never heard of their authors, 3) can’t find any of their books for sale/they won’t put you in touch with any of their authors…. Run. Run far, far away. Having a “tribe” of writers with varying levels of experience and expertise is crucial for avoiding pitfalls in publishing.

 Idelle: How many unpublished and half-finished books do you have? Do you have any plans for them?

 I think the first book I wrote is doomed to sit and collect dust forever. And that’s okay. I have a YA Steampunk manuscript that needs a solid edit. I might look into doing something with that one towards the end of 2019. We’ll see. Currently in my head I have an idea for a remake of Brave New World and an idea for medieval series that focuses more on the common folk than the wealthy ruling class.

Idelle: What kind of research do you do, and how long do you spend researching before beginning a book?

I do tons of research. Usually weeks/months before even starting a project. And once I start the research just continues. When I write fantasy, I like to base my people groups and cultures off of a real world example. I also like to focus on characters that have some sort of disability, so there’s a ton of ever-evolving research I do for that as well. I’m kind of a spreadsheet nerd. I keep an Excel file as my “Story Bible”. My current W.I.P. Excel file has… 14 tabs. I need it to keep everything straight!

 Idelle: What is one thing you would give up to become a better writer?

I’m actually in a season of reevaluating this. I’m tweaking some lazy habits to devote more time to writing and trying to be more mindful of my time management. I practically hibernate in winter, and we live in Iowa. Can I give up Iowa? I’d love a warmer climate. I would definitely get more work done.

 Idelle: If you wrote a letter to your younger self, what would you say?

I would definitely fill it with spoilers. “Don’t do this!” and “You’re gonna regret that!” 

But mostly I would tell myself that, really, I am good enough. I am strong. I’d tell myself to not pretend to be someone I’m not just to make others happy. Because doesn’t that mean the other person doesn’t *actually* like me? Who needs that? What a silly waste of time. I’d tell myself to keep going, to work harder, and to always, always act with love. 

 Oh, and to invest in Bitcoin. Really missed the easy meal ticket on that one.

 Idelle: How would you counsel a writer who is having trouble making sales?

That’s a tough one. Sometimes a beautiful book can earn very few sales while a seemingly dumpster-fire becomes a global best seller.

Books that sell really well have a host of similar qualities, but the biggest one (in my opinion) is this: they meet a need. They meet a huge need. 

If your book isn’t selling well, have you set it up correctly? Is there an audience for what you wrote? Are there other books in your genre? Do you have a title and a cover that fit the idea of that genre? Is your back cover copy engaging, does it make a reader ask enough questions that they must open it to page 1? Do you have the right social media presence? Are you partnered with other authors in the same genre?

There’s a lot of ways a book can “fail”. You wouldn’t ride a bicycle on the Autobahn, and you wouldn’t try to climb Everest on a motorcycle. Are you on the right road and are you approaching it the right way? Have you given yourself the right tools to find success? I’ll be teaching a class on a lot of this–so if you’re unsure then I hope to see you there! 

Idelle: If someone wanted to find a job in the writing field or with a publisher, what advice would you give that person?

Marry someone established in the field! (haha, just kidding!)

Make yourself available. Join critique groups and offer to beta read. Attend as many conferences as you can. Give constructive feedback. Offer to bring that super-awesome professional a bottle of water or a cup of coffee. Offer favors with no expectation of repayment. Be a friend. Ask yourself, “If I was in their shoes, what would I need?”

I met one of my absolutely favorite people at a writer’s conference. (Well, several, actually. Hi, Ben!) She was working in an entirely different stratosphere from little, lowly me. It took time to develop that friendship–she was used to people having interest in her job but not really in her as a person. During one conference, we were in a group and she got saddled with someone who wouldn’t take a “no, thank you” for his manuscript and just kept pitching. And she just couldn’t pull herself away. I glanced at my watch and said “[Friend], weren’t you supposed to have a call 20 minutes ago?” And we politely excused ourselves. At the next conference we were at, I hadn’t seen her all day. She came up to me after dinner and demanded to know where I had been–she’d been getting cornered all day and needed a friend to help rescue her from those situations.

 I saw a need I could help fill. That’s 99.99% of making industry connections.

 If you get a no or a yes, accept it with grace. Recognize that these people are people. They are there to help you, but if a publisher/editor/agent says no, don’t keep hounding them. That’s won’t make their answer any better! 

 

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Article Written by Idelle Kursman

Idelle Kursman was born and raised in Providence, Rhode Island. She earned her Bachelor’s degree from Boston College and her Master’s from William Paterson University. She has a loved one with autism and after watching the movie Taken five years ago, she felt compelled to write a novel about human trafficking. Since she loves thrillers, especially if it is a book she cannot put down, she sought to give readers this experience in her debut novel. At the same time, Idelle seeks to raise awareness for autism and the international human trafficking crisis. She lives with her family in New Jersey.

You can find Idelle on her website: https://idellekursman.com/, and social media links.

facebook.com/luckcanchange

twitter.com/IdelleKursman

linkedin.com/in/idelle-kursman

An Interview with Janeen Ippolito

Tags

Book Marketing, Writing, Writing Coach, Writing Conferences, Writing Craft, Writing Fiction, Writing Romance

Article by Dawn Sooy:

Last month, Dawn Sooy introduced Janeen Ippolito on our Write Stuff Conference™ blog.  Janeen is an experienced teacher, editor, author coach, marketer, and Editor-in-Chief of Uncommon Universes Press, a small science fiction and fantasy publishing house. She’s also the cohost of the podcast Indie Book Magic. Whether brainstorming a plot twist, developing a course, or analyzing marketing angles, she’s happiest when creating solutions that get unique words written, polished, published, and noticed in the ever-changing publishing industry.

Dawn had the chance to interview Janeen before the GLVWG Write Stuff Conference™, where Janeen will give a half-day seminar March 22: Book to Market: Tips to Package, Promote, and Publish Your Book, followed by March 23 courses: Fundamentals of Fiction – Inside Out, and How to Write Romantic Subplots.

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If I were to meet you at a conference, what is something you would tell me about yourself that would be intriguing. Please do not use anything from your bio.

 I’m synesthetic, which means I have cross-wired senses. I can see, taste, and feel sounds. I can also see scents and I have conceptual synesthesia, which deals with the perception of time within space. 

 Who is your favorite authors? Why were they favorites?

 Gail Carson Levine. She has such elegant, creative, precise middle grade fiction that is timeless and great for all ages. Malcolm Gladwell, Brene Brown, and Mark Kurlansky are favorite nonfiction authors for their unique voices, insight, and perceptions. P.G. Wodehouse and Agatha Christie are favorites for their pitch-perfect humor and plotting, and are two inspirations for my own writing. 

 There are times when people relax at home, the read, crochet, and color in the Mandela pattern books. What is your favorite pastime when relaxing?

 Wood burning! I love sitting down and burning patterns and images into wood.

 What are common traps for aspiring writers?

1. Not taking time to understand your unique goals and reasons for writing. 

2. Giving up too soon. Writing is a learning process. The more you write, the better you’ll get. 

3. Writing in a genre you haven’t read at all. There are conventions, tropes, and word usages common to each genre. 

4. Comparing yourself, your process, or your journey to other writers. Every writer is unique. Focus on doing you and let others do them.

5. Publishing too soon. Invest in a good critique group. Invest in beta readers. Invest in craft improvement. Invest in an editor. Your work doesn’t have to be perfect (and it never will be), but make sure it meets a certain standard of quality. 

If you wrote a letter to your younger self, what would you say?

 You’re going to be okay. Relax and ease up on yourself. Follow your gut more and trust the journey. 

 How many unpublished and half-finished books do you have? Do you have any plans for them?

 About 10, I think. There will be more. Since trying out drafts and abandoning them is part of my process, so there are a lot of relics on the road to publication! I have no interest in publishing any of my unpublished works or half-finished books, because the parts I like have already been recycled into better works.

 Question – What age did you start writing? What was your favorite genre at that time, and why?

 I started writing at age thirteen. At that time, my favorite genres were science fiction, fantasy, and mystery. I was raised with science fiction and fantasy, and I love the puzzle aspect of mysteries. 

 What kind of research do you do, and how long do you spend researching before beginning a book?

 For my fiction, I do quite a bit of world building research and characterization research. However, I start writing while doing research. I pause and dig up ideas along the way. The first draft is part of my research process. I learn through the story what I need to learn more about. It usually takes me several attempts to get a draft I’m confident with, but on the plus side, I don’t have the months of pre-draft prep!

 What one thing would you give up to become a better writer?

 Pride. And I continually have to give it up to learn more! My writing process is nonlinear and always shifting, so I’m always learning new things, making new failures, and learning from those failures. Perseverance and humility are two essentials for writing success!

 You have two books published on World Building. What is the difference between these two books? Is one better than the other to use? 

World Building From the Inside Out – Textbook + Workbook is a quick-start reference guide and primer for world building with a strong cultural bent.

I wrote the textbook because I couldn’t find something out there that was quick, easy, and people-oriented (aka, how will your characters act within their culture) rather than place oriented (let’s make up names for the moon and stars and plants and etc).

I wrote the workbook because literally, a review said “can I get a workbook?” The workbook is separate so that you can flip through the textbook with one hand while writing down your answers in the workbook. 

 Irresistible World Building for Unforgettable Stories is a creative writing guide. It explains how to weave the world building you’ve created into your plot, characterization, and story themes. I wrote this book on client demand because I saw that authors would create these great fantasy worlds, but wouldn’t use those elements effectively within key story beats. So I created a resource to help!

Since they cover different aspects, writers will either buy one book (set of two) or the other, based on their need. But they often buy all three!

To read more on Janeen, visit:

·         Author Website: http://www.janeenippolito.com

·         Facebook Page: https://www.facebook.com/janeenippolitollc/

·         Twitter: https://twitter.com/JaneenIppolito

·         Instagram: @janeen_ippolito

·         Interview – World Building with Janeen Ippolito 

 

And don’t forget to check out her book series: The Ironfire Legacy

 

 

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Article by Write Stuff Conference Chair – Dawn Sooy

Dawn is a native of Eastern Pennsylvania, with plenty of experience the four seasons have to offer. Armed with a Computer Science degree, she worked in the tech industry until 2012. As an animal lover, she volunteers at the local animal shelter, sneaking in treats for the four-legged residents.

As a member of the Greater Lehigh Valley Writers Group, Dawn fulfills the duties of Secretary, Conference Chair for the 2019 GLVWG Write Stuff Conference™, and is part of the 2019 Anthology team. She has published six short stories, the most recent, “Love Knows No Boundaries,” featured in the 2017 GLVWG anthology, “Write Here – Write Now.” She plans to contribute a story to the 2019 GLVWG anthology “Rewriting the Past.”

“From the Darkness” is her first novel, self-published in March 2018. This is based on a true story about a woman with bipolar depression.

Dawn and her husband Bob reside in Kempton, PA. Between them, they have four children, two grandchildren, and one great-grandchild.

An Interview with Donna Brennan

Tags

Magazine Writing, Writer Procrastination, Writing, Writing Conferences, Writing Workshops

Article by Jerry Waxler

 

We introduced Donna Brennan a week ago on the GLVWG Conference Blog. Donna will be conducting two seminars, Writing for Magazines, and Putting Off Procrastination, at the GLVWG Write Stuff Conference™ March 23, 2019. Memoir Writing Coach, Jerry Waxler, asked a few questions about Donna’s writing journey.

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I see you were a technical writer. Wow. You earned a living as a writer. That is awesome. Or is it? I’ve heard two schools of thought. One is that if you want to be a writer, get a menial job like driving a bus, so you’ll go home at the end of the day desperate to write. Versus the other school that writing for a living, while not totally satisfying, provides you with thousands of hours of experience working with language. I know from my own experience that technical writer requires a fascination with language. Could say a few words about lessons you, your love for language, your pleasure in communication, etc. as a technical writer? Which one do you believe? Can you pass a message to your younger self, or a person trying to become a writer, about how this method of earning a living contributes to or detracts from the goal of creative writing?

Donna: I’ve wanted to be a novelist since I was a kid. I always had a fascination with the world around me and with how things work. Plus, I love learning something new and sharing it with others. That’s why technical writing had such a great appeal for me. I would take something that many people would think of as too complex, confusing, or even boring, and put it into words that someone at a sixth grade or high school level could understand. I also wrote technical manuals for more educated users (programmers, repair technicians, etc.) and enjoyed that as well.

I think, for me, a technical writing job was just what I needed at that point in my career. It helped me to write on a regular basis, and I had plenty of experience editing my own work and the work of my peers. I had to say things concisely and precisely. Plus, the regular paycheck was nice. Yes, a boring job would give you more time to dream up stories to write when you got home, but I think enjoying your life and what you do helps you write more engaging and energizing stories.

But honestly, I think the best path for becoming a published author is to do whatever works for you. Regardless what kind of job you have, keep the writing dream alive, and work toward that dream.

One big difference between writing for a living and writing for yourself is that as a creative writer, you are your own boss.  Describe what kind of emotional skills you need in order to motivate and direct yourself to sit and write, when it is you who are both the boss and the worker.

Donna:  Being the mom of four kids, working for years when my first two were young and then being a stay-at-home mom after my twins were born, it wasn’t easy to find time to write. I was working as a technical writer and taking courses for computer programming when I met and married my husband. I received my Computer Science degree one month before my daughter (my second child) was born. I would sometimes find time to write short stories and share them with some of my writing-minded friends at work, but it wasn’t easy to do this while raising a family. I did take several creative writing courses along with the computer programming and math courses, and that helped–I had to make the time for my creative writing. But I wasn’t submitting very much back then. I kept telling myself there would be plenty of time to do that when the kids were older. Finally, when my twins entered kindergarten, I had the time to start working on my writing with more consistency.

So, I guess the short answer to your questions is that it’s easier to find time to write when you go into an office each day and writing is a major part of your job. But when you have a million jobs (chief bottle washer, kid-chauffeur, family cook) and are trying to get your kids involved in all sorts of activities (MOPS, soccer, scouts, baseball, tennis, Sunday School, piano lessons) it’s too easy to let your own needs and dreams fall to the wayside. I have to work at ways to make sure I write on a regular basis, and one of the best tools I found for that is a set of to-do lists kept next to my laptop. These are the things I have to get done today; these are the things I’d like to get done today; and these are the things I should have done yesterday. (Sigh.)

I’ve learned not to beat myself up for not being as diligent as I would like. It’s just like cheating on a diet by eating that piece of cake or candy bar. Admit you messed up and pick up where you left off. Don’t start over tomorrow, start over now.

Many people who earned a living as a writer want to repurpose their years of experience say as journalists, marketing writers, academic researchers, technical writers, grant readers. One obstacle they run into is that the “writing voice” that was appropriate in their career is not appropriate to their goals as a creative writer. How was it for you when you tried to switch from technical tor creative writing voice?

Donna:  I guess I never even think about “switching voices.” Just like most people don’t think about switching voices when they talk to their peers at work, their kids at home, or their friends at a party or bar. They just interact with their “audience.”

When I wrote technical documents (user guides, maintenance manuals, coding guides) I kept my target audience in mind and wrote to them. Most of the non-fiction I write now is in the form of advice to other moms or encouragement to other people (mostly women). I just write as if I were speaking to that other person, my reader. I consider my audience. And that’s the same way I write my novels or short stories–I think of my reader. I imagine their reaction to what I write and strive to phrase my words or show the scene in such a way as to have the effect I want on my reader.

What has been your experience teaching others how to find their creative writing voice? Is it hard for you to teach? Any tips?

Donna:  I love to teach. (My kids would say I love to talk!) I enjoy sharing what I know–what I spent time learning and understanding–with anyone who seems interested in listening. I love to show people ways to make their writing more effective, to strengthen their voice, to figure out what it is they want to say and then to say it. I always take care not to crush someone’s writing voice just because it’s not similar (or even close) to my own. There are all kinds of people in the world, and my writing won’t appeal to them all, but this other voice may speak to those people. I see my job as nourishing this other voice to be the best it can be, but still be its own.

I guess my biggest tip is to write–just write. Don’t edit what you write before the words hit the page. And don’t worry about what other people will think or say. Get the words on the paper and then once they are all written down, read them out loud and see how they make you feel. Is that the emotion you were trying to evoke? Is that the point you were trying to make? If not, put it aside (don’t delete it–there may be gems in there you will wish you had saved), and think about what you wanted to say. Then you can start with a fresh page or edit a copy of what you’ve already written.

Once you have the basic elements there–the points you wanted to make, the emotions you wanted to evoke, the direction you want to take your writing, then you can begin to edit it.

What is the coolest book length project you are either working on or wish you could complete? Describe where you are with the book and if you have an elevator pitch about it.

Donna:  Right now I’m working on editing two different novels and I’m putting together a short story collection–most of those stories have already been written. I usually include humor in my stories and novels, but my next novel will take that to another level. I wrote a “short” story called Many Kinds of Crazy (over 12,000 words long) and the folks I’ve shown it to, in addition to laughing out loud, wanted to know what happened next. They didn’t want the story to end. So I’ve decided to add another 70 thousand words or so and make it into a novel. That’s my project for February.

Elevator pitch? I haven’t gotten that far. It’s all told in the first person and my protagonist (in the short story) is categorizing every type of crazy that there is so she can put it into an app which she hopes will allow her to control all the kinds of crazy that affect her. She seems like a bit of a nut-job at first, but as you get to know her you realize she’s just lonely and very insecure. Each section of the book will be a separate story and have her deal with and overcome some new hurdle. All the little stories will come together to create one larger story. Sort of like all the little stories in our lives coming together to make us who we are and to form the saga of our existence.

How long have you been working on it?

Donna:  I wrote the first eight pages over a year ago, and then this past summer I spent about a week (or less) writing the next 24 pages. I spent the first three days trying to get back into my character’s head, but once I did the words just flowed. I hope to have it finished by the end of February.

What is that like having a book burning in your brain like that? Describe that weird mix of desire and frustration that accompanies the writing of a book.   

Donna:  It used to be frustrating having all these ideas rumbling around in my head yet not having enough time to write them down. But I’ve learned to work with what I can do. I have several potential books filed away in the crevices of my mind, and I’ll often fall asleep visualizing various scenes in different stories, listening to the dialogue and feeling the emotion. So when I finally write the stories I already know what will happen and I can get the words and scenes down quickly.

But the Many Kinds of Crazy story is so different–or the main character is so different–that I can’t just pop into the storyline on short notice. I need lots of time to get into her head and see the world as she sees it. She’s much more insecure than me (and tons funnier!) and her line of thinking takes more sudden twists and turns than a roller coaster on steroids. 

 

GLVWG Write Stuff Conference™

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Bio: Jerry Waxler writes, speaks, coaches and teaches about how to maximize human potential through reading and writing life stories. His book Memoir Revolution champions the social trend to turn life into Story and his workbook, How to Become a Heroic Writer, provides self-help tools to find the courage and time to write your own story. His memoir Thinking My Way to the End of the World recounts his almost-failed attempt to grow into adulthood during the sixties. He teaches writing classes at Northampton Community College, and speaks about memoirs at libraries, senior communities, churches and wherever people want to learn about turning life into literature. He has a Master of Science degree in counseling psychology and practices psychotherapy in Quakertown, PA.

An Interview with Richard White

Tags

Fantasy, Science Fiction, SFWA, World Building, Writer Beware, Writing, Writing Conferences

Mitzi Flyte, a GLVWG member, had an opportunity to interview the multi-talented Richard White.

Richard will be at the 2018 GLVWG Write Stuff Conference™ on Saturday, March 24, where he will conduct sessions on Writer Beware, Writing Realistic Fight Scenes, and World Building 101.

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Mitzi: Who are your favorite genre writers and did they inspire you?

Richard:      How many pages did you give me for this interview? *grin*  Wow, that’s a tough question, but to try and keep this to a reasonable length, I’ll try and hit my top ten:

• Glen Cook
• Anne McCaffery
• Barbara Hambly
• R.R. Tolkien
• Gordon R. Dickson
• David Drake
• Brian Daley
• Tara Harper
• Katherine Kurtz
• Alan Dean Foster

 

I can track a lot of my current writing to these authors. In fact, I like to tell people that my current fantasy noir novella series I’m writing is my homage to Glen Cook’s Garrett, P.I. series. The Military Science Fiction novel I’m finishing is about an Armored Cavalry Regiment in the future, which is probably influenced by Drake’s Hammer’s Slammers series.  Any of my sword and sorcery or high fantasy stories could have links to The Dragon and the George, or The Armies of Darkness, or the Deryni series and so on.

Great books, great movies, and even great radio shows (both old-time radio and current works) can’t help but influence an author. Anyone who says they’ve created something completely unique is probably not being honest with themselves. We’re all influenced by everything around us – the object is to take the influence and make it something unique to yourself.

Mitzi:  Do any of your stories scare you. If so, is it while writing or after you’ve written them?

Richard:      Normally no. However, I just finished doing a short story for Green Ronin which is set in their Freeport role-playing game universe where I wrote the story from the POV of a serial killer. I found myself going into a very dark part of my mind to write this story. I also developed an appreciation for the writers on the show Criminal Minds, because I found myself actually not wanting to write some of the stuff that I wrote. I certainly edited and re-edited a few sections of the story to try and reach the fine point between being horrific and exploitive, and that’s before I received the edits from my actual editor.

I think this story reinforced in my mind why I’m not a horror author. I can go there, but I’d really rather not. It’s not so much that it scared me that I went there, but it made me uncomfortable that I could go there.

An Interview with Ben Sobieck

Tags

Crime Fiction, Wattpad, Weapons in Fiction, Writing, Writing Conference

GLVWG’s resident Mark Twain, Charles Kiernan, spoke with Ben Sobieck, who will conduct three seminars at the GLVWG Write Stuff Conference™, on March 24, 2018, with Weapons in Fiction, Writing inside a Franchise, and Using WATTPAD to Build a Writing Career.

Ben Sobieck describes himself as a thriller writer, which encompasses several traditional genres: mystery, action-adventure, crime fiction, and noir. He has also written many short stories and numerous flash fiction pieces. He is also a big promoter of Wattpad. That might need a little explanation.

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Charles Kiernan: Thanks for this interview, Ben. Let’s start with what is Wattpad? Why should our conference attendees avail themselves of this service?

Ben Sobieck: Wattpad is a social reading website and app, which means it’s like a cross between Facebook and Kindle. Writers post short stories and novels on the site, and they don’t charge anything to read them. What’s the benefit of giving something away for free like that? Sixty million devoted readers from all around the world is what. They read, read, read, and they will follow the writers they love to the gates of hell (or heaven, if they’re not reading my work).

What this does is fill in the missing piece that a lot of writers have when building their careers. They need a platform of readers who care deeply about their stories. When they do, it’s a lot easier to pull agents, publishers and other partners into their orbits. For instance, a query letter might site that the story being pitched has 100,000 reads on Wattpad. That shows proof, and that’s powerful.

I’m happy to say that I’ve partnered with publishers, movie studios, TV producers, and more through Wattpad. I won a Watty Award for one of my stories. Not to toot my own horn (which means I’m about to), but the competition for the Watty Awards is the world’s largest online fiction contest. When I entered in 2016, there were 140,000 entries.

How does Wattpad work with that many entries? It’s all about the data. I’ll be going into more on that in my presentation.

Also, I am serving as editor of The Writer’s Guide to Wattpad, which will be out in the summer of 2018, and will be published by Writer’s Digest Books. It’s Wattpad’s official guide, so I must be doing something right. Or very, very wrong. One or the other.