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Meet Amara Hoshijo

30 Wednesday Mar 2016

Posted by dtkrippene in Agent Interviews

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agent, author, GLVWG "Write Stuff", Writing, Writing Conference

GLVWG’s Suzanne Mattaboni spoke with Amara Hoshijo of Soho Press, an independent book publisher based in Manhattan’s Union Square. Founded in 1986, Soho publishes 90 books a year across its Soho Press, Soho Crime and Soho Teen lists, and is known for introducing bold new literary voices, award-winning international crime fiction, and compelling young adult mystery and thrillers.

Amara will be taking pitches at the GLVWG Write Stuff Conference on Saturday, April 9. Advance Registration is Required.

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Suzanne: I see from your background you’ve spent part of your life in Hawaii, France, and California. What drew you to New York, and what has made it worth staying?

Amara: I was first drawn to New York at the age of five, based on little more than that it was the biggest city I knew. (I’ve always preferred big cities—more specifically regarding the above, I’ve lived in Honolulu, Paris, and LA.) Hawaii remains a special place for me, but growing up, I didn’t see any industries there that I wanted to be a part of. I came to New York the summer after college with no prospects and the sole objective of breaking into publishing. It is certainly a literary epicenter, which was the deciding factor in my cross-country move, but I was lucky in that my personality meshed well with the city itself. New York has the diversity and integration I’ve craved my entire life; I’d say the people there have been brought together by a similar drive.

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Meet Anjali Singh

28 Monday Mar 2016

Posted by dtkrippene in Agent Interviews

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agent, author, GLVWG "Write Stuff", Writing, Writing Conferences

GLVWG’s Geoffrey Mehl had a chance to interview Anjali Singh of the Ayesha Pande Literary Agency. Anjali will be joining us at the GLVWG “Write Stuff” Conference to take pitches from attendees (Advance Registration is Required).

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 GLVWG: Thank you for sharing some time with us today, and we’re looking forward to having you as one of the agents at the Write Stuff Conference in April.

 Anjali Singh: You’re welcome and I’m looking forward to meeting everyone at the conference.

 GLVWG: Authors are often urged not to submit until their manuscript is “ready.” Careful proofreading is understandable, but what other indicators tell writer it’s time to query?

 Anjali Singh: I think it’s incredibly useful to be part of a writer’s group, to have engaged readers that you trust read and give you feedback. Even if you’re not part of a group, it’s worth asking friends and family who are avid readers to read on your behalf. Proofreading is important, but even more important is whether the first 5-10 pages grab and hold a reader’s attention (as that is what most agent’s will see first and be the basis on which they decide whether or not to read more), whether or not the characters come alive and make readers care about them and their plight, whether or not there’s enough at stake in the story to keep someone turning the pages, and to hear if there were places where the reader got bored, confused, or felt like skimming. These are all great questions to ask your early readers! An agent should never be the first person to whom you show your MS, and by the time you send it to one you should feel that you’ve perfected every aspect–opening, plotting, character development and pacing–that you can on your own. I think that’s when it should feel ready.

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Meet Curtis Smith

13 Friday Mar 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, curtis j smith, GLVWG "Write Stuff"

We’re excited that you will be with us, sharing your experiences with publishing and tips on writing short stories.

How do you get ideas for your short stories?

CS: Ideas are all around. I pick up something, usually an image, and if it captures my attention, I start rolling it around in my head. Most fizzle, but some start acquiring their own mass. I start seeing people, situations, possibilities. If the notions still appeal to me, I’ll start the writing process.

Do you have a writing routine? Is there a ritual you use to get into a writing flow?

CS: I get up early every morning to give myself an hour to write. It’s quiet—everyone in the house is still asleep—and I find myself able to focus. Then in the evening, after my son has gone to bed, I write again—anywhere from a half hour to an hour. I don’t have a ritual per se, but I usually will end a session with a note to myself—a reminder of where I want to pick up next time.

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Meet J. Christine Richards

28 Saturday Feb 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, Chris Richards, GLVWG "Write Stuff", J. Christine Richards


You’ve written novels, articles, manuals, and Bible studies. Do you have a favorite? Which one gets you into a writing flow faster?

The basic answer is whichever I am writing at the time is my favorite. I have the most fun by telling story so novels and short stories fit that format the best. Manuals are the hardest for me, but even my Bible studies are created in a storytelling format. As long as I can tell the story the format doesn’t matter a lot.

You’re one busy woman. An active member of Toastmasters International, Words for the Journey Christian Writers Guild, American Christian Fiction Writers, and the Christian Writers Guild. When do you make time to write?

First I have to say I am also creating writing conferences for teen writers in my area, which connects to my passion to help new and young writers. That adds to my busyness. All of this does impact my own writing and if I don’t specifically make time for myself, I don’t get any writing done. Therefore, I have to schedule time for myself. I actually set appointments when I go to places like the library or quiet coffee/tea houses. I leave the cell phone in my purse and do not turn on the internet on the computer. I have to take these steps to focus on my writing.

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Meet Rebecca Bartlett

28 Saturday Feb 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, “Conversations with the Muse”, GLVWG "Write Stuff", Rebecca Bartlett

YA Author Rebecca Bartlett has been a long time member of the Greater Lehigh Valley Writers Group, its current treasurer and always a great resource. She is sure to inspire conferees with her upcoming conference session “Create Credible Characters with Voice, Dialogue, and Point of View.” Plus, she will be sharing insight with session “The Making of an Anthology.”

https://i0.wp.com/greaterlehighvalleywritersgroup.wildapricot.org/Resources/Pictures/rebecca%20bartlett1.jpg

When did you know you wanted to be a writer?

Rebecca Bartlett: I became a reader at an early age and spent all my spare time with books. Like anyone who admires an art, eventually you want to participate in it, not just watch.

In high school there were publishing opportunities in the school newspaper and literary magazine so I got more serious about writing. The quest has waxed and waned over the years, depending on my level of busyness, but the urge to write has been there since my teens.

What/who inspired you to write your first book?

Rebecca Bartlett: Depression—that’s what got me to finish my first novel. I hated my job and where I was living and I thought immersing myself in the creative process would help me break out. The first book I wrote had a silly plot, under developed characters, and poor pacing, but I finished it, proving to myself I was capable of at least writing a book.

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Meet Geoff Gehman

18 Wednesday Feb 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, Geoff Gehman, GLVWG "Write Stuff"

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By Laurel Bruce

It’s a delight to have you teaching two sessions at this years GLVWG Write Stuff Conference. Locals remember you as a features writer for the Allentown Morning Call Newspaper.

How has your work as a features writer influenced your writing?

I’ve learned a hell about nuts, bolts and nutty lightning bolts from more than 30 years of profiling people, examining trends and connecting the topical to the timeless for newspapers, magazines and book publishers. I make sure my sources discuss weaknesses as much as strengths. I start with an arresting line and a surprising, even disarming anecdote. I get to the point quickly so I can tell a story leisurely. I paraphrase dull quotes and clean up messy ones. I find the practical in the transcendental, and the transcendental in the practical. I make words throw sparks and jump through flaming hoops.

Your first book, Down But Not Out in Hollow-Weird, is a biography featuring letters of Eric Knight, a screenwriter in the 1930s and ‘40s and the author of the novel Lassie Come-Home. How did the idea for this book come to you?

While writing for The Morning Call I got to know Eric Knight’s widow, Jere, who lived in the house they bought in 1939 in Pleasant Valley, Bucks County, where Eric wrote parts of Lassie, the book that made the collie a cash dog. In 1988 I gained her trust with a long Call story on the 50th anniversary of the short-story version of “Lassie” that appeared in The Saturday Evening Post. She let me roam Eric’s letters to famous folks like Ernest Hemingway, e.e. cummings and Walt Disney. His missives were magnetic: entertaining, enlightening epistles that tripled as short stories and barometers of his moods. He was especially moody as a screenwriter in the 1930s and ‘40s, crafting and chasing vehicles for Spencer Tracy, Shirley Temple and Frank Capra, who produced “Why We Fight,” a propaganda series that told young American soldiers that they could defeat the Axis forces only by allying with the Allies. Knight’s letters became my map to the studio system and the military machine. They let me to show how a minor character played a major role in two very film-history trenches.

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Meet Tina Gallagher

09 Monday Feb 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, Fortunes, GLVWG "Write Stuff", Tina Gallagher

Tina Gallagher

It’s a delight that you and Pattie Giordai will be teaching “Marketing for Introverts and Extroverts” at this years GLVWG Write Stuff Conference.

By Laurel Bruce

According to your bio you wrote fan fiction about your favorite soap opera characters when you were in middle school. Could you tell me a little bit about now this helped your writing and career?

My friend Lori and I used to be huge Guiding Light fans and fell love with the Quint and Nola characters. Fan fiction is probably too formal a title for what we did since this was pre-computers and we were the only two who read the stories. But, we were two tweens crazy about these characters, so every night we’d write our own scenes and swap them in school the next day. That’s what got me into the practice of writing every day.

Can you tell me a little bit about your latest book, Fortunes?

Megan Donnelly is not pleased when she visits a fortune teller while on vacation and is told she will soon meet her soul mate. While any other woman would be thrilled to hear this news, Megan cannot let go of the college sweetheart who left her at the altar.

Hot and hunky Chip Nealon wasn’t looking for love when he decided to attend his cousin’s birthday party, but the bright and beautiful Megan has him changing his mind. His grandmother always told him he would know when he met the “one.”

Can Chip convince Megan to take a chance on him and look to the future instead of living in the past?

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Meet Pattie Giordani

09 Monday Feb 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, “Fashion & Beauty Awards 2014”, GLVWG "Write Stuff", Pattie Giordani

pattie 7-29-14 (1)

It’s a delight that you and Tina Gallagher will be teaching “Marketing for Introverts and Extroverts” at this years GLVWG Write Stuff Conference.

By Laurel Bruce

How has your work as an assistant features editor at The Express-Times influenced your writing?

Everything I learned at The Express-Times has had an effect on my work. We had daily deadlines, so I learned how to write quickly and accurately. Most articles were short, so I learned to write concisely. I had to do layouts, so I learned how to represent articles visually. I learned how to interview people—still one of my favorite aspects of journalism. Interviewing is an art, whether the person is an expert source for an article, such as a feature on a health topic, or a local or well-known subject for a profile or an event preview. Journalists are storytellers, which also impacts my children’s stories and fiction as well as my nonfiction articles.

You are currently an associate editor at the National Association of Colleges and Employers (NACE). What are the skills an editor needs to do his or her job well?

An editor must play well with others! Your job is to make a writer’s work better, but you have to do that tactfully and without taking away the writer’s voice. Of course, you need to have a command of style and grammar, but you also need to know how to use resources, such as a dictionary, stylebook, Google, and the library! And you need to have a sense of humor—that is not optional.

You have written many freelance articles for Lehigh Valley Style and other publications. Is there one story that stands out as your favorite? Why?

Too hard to narrow down! A sentimental favorite is the first feature I wrote for Baltimore magazine, an article about films set and filmed in Baltimore. I had envisioned writing that story for years! More recently, “Fashion & Beauty Awards 2014” for Lehigh Valley Style, which included three profiles of inspiring women doing great things and helping those coming up in the fashion and beauty fields. And “Christmas Traditions at Frueauff House: A Bethlehem Home with a College Pedigree,” was about the Moravian College’s president’s house, and is near and dear to my heart since I’m a Moravian graduate.

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Meet Richard White

28 Wednesday Jan 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, For a Few Gold Pieces More, GLVWG "Write Stuff", Richard White, Writer Beware

richard_white

I’m fascinated by your study of the Japanese martial art, Kendo (Way of the Sword). Please tell us how you became involved with it and how far you have progressed. Have your experiences with sword fighting provided material or inspiration for any of your fiction?

White: I’ve been playing with swords since 1978. I started out by taking fencing as a PE class in college. I confused the heck out of my coach when I asked her if she had a left-handed foil. She found the left-handed gear and then watched me fumble with it for a bit. She then noted, “You’re not left-handed,” to which I admitted I was not. “Why do you want to fight left-handed?” I simply replied, “There are 33 of us in the class and everyone’s right-handed. This way, I get to practice against 32 right-handers and they only get to practice against me about once every four classes.” She nodded and said, “I’d like to talk to you about joining the fencing team after you finish this class.” *grin*

After that, I wound up joining up with the local Society for Creative Anachronism and kept it up after I joined the Army. I loved going to fighter practice, especially when I lived in Monterey, CA. It was great stress relief after spending a week beating my head against my desk trying to learn Arabic. I learned broadsword and shield, great sword, Florentine, and battle axe and shield (as a left-hander again). I learned quickly why people hate fighting lefties. If you’re fighting a right-hander against another right-hander and you miss a shot low, you get hit on the bottom. If you fight a lefty and he misses low on you, you get caught straight in the cup. A most unpleasant experience let me assure you. *grin*

I was never knighted or anything like that in the SCA, but I was a herald as well as an apprentice armorer when I wasn’t fighting. I’ve done field heraldry, court heraldry, as well as helping people design their coats of arms. Heraldry is a fascinating field and I loved doing all the research.

I also learned that armor is HEAVY. My suit was metal scales on a leather tunic that hung down to mid-thigh. That was over a padded suit. Then I wore 12-gauge steel arm and leg armor, I had a 10-gauge steel helmet and 14-gauge chain hanging from the helmet to protect my neck. (And, of course, I had a steel cup that fit over the regular baseball cup I used.) I think my armor clocked in somewhere around 50 pounds. Which doesn’t sound like much until you’re wearing it for a couple of hours out in the sun, but believe me, you’ll notice it after a while.

I wound up getting introduced to Kendo in 2001 thanks to a co-worker after I left the Army. I’ve been participating off and on since then and have reached the rank of nidan. I primarily fight ito (or one sword), but I have tried my hand at nito (two-swords). I’ve also been introduced to naginata (polearm) and I’ve watched but never tried kyudo (bow) or jo (staff).

My fighting experience definitely has helped my writing. I’ve been known to grab some of my friends and actually try out a maneuver to see if it’s physically possible or even feasible. I’ve also organized a couple of melees and then just watched and taken notes, which I think helps bring a more realistic feel to my fight scenes.

 

What inspired your short story series, For a Few Gold Pieces More? Is there a common theme that connects each of the stories? There are currently nine installments. Will there be a tenth?

White: For a Few Gold Pieces More started out as a single short story, mainly to prove to myself I could write one. The Demon’s Head was my first serious attempt at writing under 5,000 words and it was painful to try and keep the word count down. When I sent it to a friend for review, she offered to publish it through her small press . . . but could I expand it to a slightly longer story because she wanted a series of stories.

*note: Never give a writer an excuse to go long. It never ends well*

To put together the series, I decided on two things. Since I had not named the main character in the first story, I was never going to name him. In fact, nowhere in the ten stories, do I ever name nor describe the character. I got the idea after watching The Good, the Bad, and the Ugly and that’s how my “Rogue with No Name” was born. In fact, I have been known to put on some Clint Eastwood movies to try and get that sound in my head before writing specific scenes.

The second thing was, I wanted to explore folktales and myths, but I wanted to step away from the ones that have been done to death. So, Shades of Blue, my third story is a mash-up of Dracula and Bluebeard; Skin the Cat is the legend of Catskin (the creepy pervy version of Cinderella); Wings of Fire is the Firebird from Russia; and Pearls of Water is the Swan Princess, but a Chinese version of that legend. I hope to use this collection to get people to expand their knowledge of myth and folktales beyond Grimm and Andersen, (although they do have good stories too).

The last story wraps up the first arc of my protagonist’s life. Sword of Fate is another mash-up, linking a Scandinavian folktale and Yorba mythology. I got the idea for this story after reading My Life in the Bush of Ghosts by Amos Tutuola in my African Literature class. If you’re not familiar with this book, I highly recommend it. Why this hasn’t been turned into a fantasy horror movie yet, I do not understand.

I’m not sure if I’m going to continue doing more stories with this character, although I suspect I will. I’ve been writing his tales for nearly three years now. I think it’s time a few other characters got a chance to come out and play.

How did you become involved with Writer Beware and what is its mission?

White: Writer Beware® in a nutshell is the anti-scam committee for the Science Fiction and Fantasy Writers of America. We do a number of things to help authors, regardless of their experience or genre – we have a database where we keep track of complaints about publishers, we maintain a blog and a Facebook presence to help spread the word of “unusual” practices we observe, we are always willing to review a contract and compare it against other contracts we have on file to try and help spot “unusual” clauses, and things like this. We also go to conventions, writer’s workshops, and talk on college campuses with new and not-so-new writers who may have questions.

Writer Beware® is led by our chairman, Victoria Strauss, and Michael Capobianco and I are the other two team members. We’d love to add some SFWA members from the Midwest or West Coast to help expand our reach, but right now, we’re the team.

I had met Ann Crispin at several conventions and sat through her classes on how to write query letters. Then a few years after that, I ran into Victoria Strauss and Ann at an on-line writer’s forum called Absolute Write Water Cooler. I started out helping over there, checking up on odd claims by small publishers and using my analytic training to spot things that weren’t quite right.

I contacted Ann in 2007 to see if there was anything I could do officially to help out with Writer Beware and joined the team that summer. I’ve been doing a lot of roadwork for the team, going to conventions and doing talks about ways authors can derail their own careers because they get in too much of a hurry to get published. When people get that offer, sometimes the “Oh my gosh, this is it!” rush takes over and they don’t double and triple check things before signing on the dotted line. It never hurts to get a second opinion – especially before you submit, rather than afterward.

For the Write Stuff conference, can you please give us a summary of what you will cover in your Friday night “Writer Beware” session and in your Saturday presentation, “Craft of Writing Historical Fiction”?

White: For the Writer Beware session, I’ll be doing a slideshow presentation I call “How Not to Get Published”. We’ll discuss agents, publishers, and the business of writing as well as talking about self-publishing. If I can get one person to do their research before they send their manuscript into the cold dark night, then it’ll have been a useful session.

For the Historical Fiction talk, I’ll be talking about separating reality from fantasy (aka, don’t believe everything you see on TV). I’ll be promoting good places to do your research as well as sources that might need to be taken with a grain of salt. I’ll discuss my personal research techniques as well as soliciting questions from the audience so I can tailor the talk more to what they want to get from it. Their needs/desires might be quite different what I’m envisioning while I’m typing this, so I need to be flexible to give the audience something useful (and hopefully interesting).

What have you released recently and what publications are on the horizon?

White: I’ve been working on a number of projects. My last story for the collection, Sword of Fate, will be released in December 2014 by Musa Publishing. Also, I have several projects coming out from Pro Se Productions in 2015, to include Black Cat: Mouse Trap, a novella featuring the Golden-Age Black Cat from Harvey Comics, Strikeforce Falcon: Flashpoint, which is an action-adventure short story set in the Pacific theater of WWII, The Full Moon Affair and The Pearls of Darkness Affair, which are two fantasy noir novellas featuring my detective Theron Chase.

Also, I’m finishing up a short story for inclusion in the Origins Gaming Festival anthology. My story, A Gryphon’s Tale, was in the 2014 anthology, Monsters, and this year’s theme is Space. I’ve got an interesting take on a Jules Verne story and I hope the editor agrees with me. *grin*

Beyond that, I have several other projects that have been approved, but the publishers haven’t cleared them for promotion quite yet and, of course, I have other stories and novels I’m working on that I hope to find homes for in the near future.

Also, I am collecting up my old world-building column Terra Incognito that I did for Penumbra magazine and will be releasing it as a non-fiction book in 2015. I’ve got a friend who’s an editor who’ll be helping me smooth out some of the transitions – what works in a magazine doesn’t quite work as a book sometimes – and then we’ll be releasing it under my old company banner, Nightwolf Graphics.

Meet Michael Jan Friedman

28 Wednesday Jan 2015

Posted by All the "Write Stuff" in Presenter Interviews

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author, Crazy 8 Press, GLVWG "Write Stuff", Michael Jan Friedman, The Vidar Saga

Michael Jan Interview Pic

For thirty years, Michael Jan Friedman has written SF, Fantasy, paranormal, media tie-in, biographies, and comic books for both DC and Marvel. He is one of most prolific authors out there. We are honored to have him join us for the 2015 Write Stuff conference. So, let’s get talkin’ to Michael Jan Friedman!

You co-wrote a season two episode of Star Trek: Voyager called “Resistance”. How did that opportunity come about? What else have you written for television and/or radio?

Actually, my partner and I pitched to the various Star Trek shows several times before we struck gold and sold a story. The Trek programs were pretty much the only shows around that took pitches from pretty much anybody. Each time my partner and I sat down with the producers, they listened, smiled, and told us that they had our ideas in production already. That was discouraging and encouraging at the same time. Finally, we sold a pitch that was basically “Janeway plays Dulcinea to a Kazon Don Quixote.” Jeri Taylor, the show runner on Voyager, loved it and bought it almost on the spot. The next day, she called us and said she had gotten substantially the same pitch from someone else. Had we spoken to her a day later, she would have had to accept the other pitch rather than ours.

On the television side, I’ve also written on-air promos for Nick at Nite. The one that sticks out in my mind is “The Gunther Toody School of Public Speaking.” Toody and Fred Gwynn’s character, Muldoon, were the two lead cops on Car 54. Toody was known for saying “Ooh, ohh,” when he got excited, so all he said in the promo as a model of public speaking was “Ooh, ooh.”

In radio, I wrote a series of spots for restaurant critic Bob Lape advertising Freixenet sparkling wine. Each spot talked about how Freixenet went with one cuisine or another. They were interesting, actually. If you were into cooking, you could actually learn something from them.

You are currently in the process of re-releasing your first original fantasy trilogy, The Vidar Saga. Can you tell us a bit about the story? What made you decide to re-issue the series this year and with all new cover art?

The Vidar Saga is a heroic fantasy. Vidar, a bastard son of Odin, is often said to be one of the survivors of Ragnarok, the Twilight of the Norse Gods. I took him and plunked him down in the 20th century, and then pulled him back into a resurgence of the old conflicts that destroyed Odin’s Asgard.

I’m re-releasing the series (The Hammer and The Horn, the first book, is already available as either a hard copy or an e-book through Amazon and BN.com) as part of our push at Crazy 8 Press to get our founding members’ older works back in print.

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Greater Lehigh Valley Writers Group (GLVWG)

Greater Lehigh Valley Writers Group (GLVWG)

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