28 Saturday Jan 2023
Maria Snyder is the Keynote speaker at this year’s Write Stuff conference. She’s also doing two half-day workshops at the conference. Here is an interview with Maria by GLVWG member Donna Brennan. Register for the conference here.
23 Monday Jan 2023
By Sara Karnish
A longtime friend of GLVWG, Job Gibbs will be presenting three sessions at the 2023 Write Stuff Conference: “The Three C’s of Conflict: Part 1,” “The Three C’s of Conflict: Part 2,” and “The Funny Pages.” Here is a complete conference schedule.
Writer bio:
Born in England, Jon Gibbs now lives in New Jersey, where he was Author-in-Residence at Georgian Court University from 2012 to 2017.
Jon is the founder of:
His middle grade fantasy, Fur-Face, was nominated for a Crystal Kite Award. Originally published by Echelon Press in 2010, the second edition was released in November 2022. The sequel, Barnum’s Revenge, was published by Echelon Press in 2013. The second edition is due out this year.
Jon’s latest book, Abraham Lincoln Stole My Homework, is due out this year.
When he’s not chasing around after his children, Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.
Contact him at admin@jongibbs.org.
Q: One of your sessions is called ‘The Funny Pages.’ What will we learn during this session?
JG: We’ll be looking at how humor comes in many forms, and how we can use it in lots of different ways, whether it’s to lighten the mood after a shocking or stressful scene, or show us a little backstory, or even to make us like a character we aren’t supposed to – Think the Sherriff of Nottingham in Kevin Costner’s Robin Hood: Prince of Thieves.
Q: Humor is difficult to achieve in writing. What are a few key elements to ‘writing funny’?
JG: I think we all have slightly different ideas as to what counts as funny, but when it comes to using it in a book or story, I’d say the most important thing is that whoever’s writing it finds it funny. Also, consistency is important. Humor is part of our personality. If a story character switches between self-deprecating humor and one-liners to snarky jokes and sarcasm without any obvious reason, it can be jarring (at least, it is for me as a reader).
Q: Can you give us a sneak preview of your ‘3 Cs of Conflict’ 2-part sessions?
JG: Using examples from books and movies, we’ll be looking at some of the many ways to insert conflict in a story, and how we can use it to do more than just provide an obstacle for our characters to overcome. We’ll also be looking at examples from attendees’ current works-in-progress to see how we can ramp up the conflict while also helping to move the character/story arc along.
Q: What does conflict add to a piece of fiction?
JG: Conflict certainly isn’t everything, but without it, any story (and most of real life) would be pretty boring. It doesn’t all have to be car chases and brawling; in fact, most conflict is pretty subtle, but if it’s not there, readers soon start flipping ahead a few pages, or worse, simply put the book down.
Q: You write middle-grade fiction. What are some must-haves for writing middle-grade?
JG: Usually, the main character has to be middle-grade age. Adults can help solve the story problem, but they can’t be the driving force behind it. Aside from that, I’d say the must-haves are the same as any other fiction. Characters the reader cares about, good story, etc.
Q: How is writing middle-grade different than writing for adults?
JG: There are some basic differences, most of which are common sense. The official age range for middle-grade readers is between 8 and 12, so there’s an awful lot of scope for the type of story you can tell (as well as in how you tell it). Across the board, though, really bad language, sex, etc., are definite no-nos.
Book-length tends to be a lot shorter – usually between 20K and 50k words. If there is a romantic interest, it’s subtle – think Ron Weasley and Hermione Granger in the first few Harry Potter books.
21 Saturday Jan 2023
Author and developmental editor Kathryn Craft is one of the presenters at the 2023 Write Stuff Conference
Interview by Sara Karnish
Long a leader in the southeastern Pennsylvania writing scene, Kathryn served for more than a decade in a variety of positions on the boards of the Greater Lehigh Valley Writers Group and the Philadelphia Writers’ Conference, and was named the 2020 Guiding Scribe for the Women’s Fiction Writers Association. Kathryn leads the Your Novel Year small-group mentorship program, has served as adjunct faculty for Drexel University’s low-residency MFA in Creative Writing program, hosts writing retreats for women, and speaks often about writing. She writes a monthly series, “Mad Skills,” at the award-winning blog, Writer Unboxed.
Her debut novel, The Art of Falling, set in the Philadelphia dance world, a harsh microcosm of our society’s celebrity-driven expectations of women’s bodies, is available from Sourcebooks. Her follow up novel, The Far End of Happy, is based on true events surrounding the 1997 suicide standoff that resulted in her husband’s death. Originally meant to be a memoir, she decided to novelize.
Learn more about Kathryn at kathryncraft.com or writingpartner.com.
Kathryn will be facilitating a half-day workshop focused on dialogue, “Say That and More”, on Thursday, March 23. I sat down with Kathryn to talk about the importance of dialogue and so much more.
Q: Can you give us a sneak preview of your half-day workshop “Say That and More” at the Write Stuff Conference?
KC: Dialogue, if used well, can be an incredible multi-tasker. It can build characterization, deliver information, enhance conflict, further the plot, reveal the motivations of non-point-of-view characters, expose hidden loyalties and secrets, and more. In fact, if it’s only doing any one of these things, it’s not doing enough! By analyzing powerful excerpts of dialogue from bestselling novels, we’ll figure out what these authors have done so well, and then give each technique a shot with either prompts or characters from our own works in progress. It will be both fun and eye-opening!
Q: Why is strong dialogue so critical to a novel?
KC: We humans communicate with each other primarily through speech. Imagine speed-dating without it! The first “I love you” will change a relationship, for better or worse. A baby’s first word is joyfully celebrated. Asking for what we truly need can be nerve-wracking. Losing our voice before a speech or performance can be a tragic loss of opportunity. One’s dying words can carry a lifetime of meaning. We can feel lost when someone is desperately trying to communicate with us in a language we don’t know. Since such situations are common to all humans, well-written dialogue can gain immediate emotional investment from your reader.
But equally important to dialogue is what isn’t said. If that first “I love you” is met with silence, we know things aren’t going so well. Same if the baby’s first word is “Da-da” and the mom whisks the baby from “Da-da’s” arms to go down for a nap. By tapping into these universal human emotions through a rich tapestry of actions, memories, and setting, we can invite the reader to add up what’s on the page for themselves. After all, they’ve been reading signals during conversations their whole lives.
Q: Authenticity is key to capturing how characters speak, and sometimes this means writing regional dialect. How should a writer handle dialect, colloquialisms, and “folksy expressions” in a novel?
KC: This has changed a lot over the years as the publishing industry has gotten twitchier. There’s the fear that today’s busy readers will no longer put up with phonetic spelling and dropped syllables, even though doing so brought the series characters of middle grade authors like J.K. Rowling and Brian Jacques to vibrant life. A more recent concern is the fear that trying to write dialect will come off as prejudicial, racist, homophobic, xenophobic—if there’s even a whiff of political incorrectness in the way you’ve presented a character as “other than,”, there’s a possibility you’ll cross a line and lose readers.
One solution is to evoke the sound of the language without full-out transcription. If a young woman says she could listen to her daddy all night long, his dropped syllables making his stories roll like waves, a periodic transcription of his language won’t cause a problem. If you need to convey the speech of a foreigner with minimal English, study the syntax of his native language (lack of articles in Russian, adjectives following many nouns in French) and mimic it.
Q: You’ve drawn on your personal experiences for your novels The Art of Falling and The Far End of Happy. What are some tips for writers to capture personal experiences—events, even interesting dialogue—and possibly use them later?
KC: I give a separate workshop on this, which was a direct result of all I learned while obtaining my PhD in self from the School of Hard Knocks. Since our emphasis here is dialogue, I’ll share one pertinent story from The Far End of Happy.
After I’d already filed for divorce from my first husband, and within a month of his suicide, he said to me, “I guess you don’t like me very much.”
This line of dialogue was seared into my memory to the point that I wanted to include it in my novel. But when my editor read that line of dialogue, floating as it was within the fictionalized version of real events, it made less sense. “The scene reads fine without it,” she commented. “Just delete it.”
That I couldn’t do. To me it had the feel of an important turning point in this couple’s awareness of what was (or wasn’t) happening between them. So instead of deleting, I went back several chapters to better set up this important moment.
My takeaways: 1) while listening to your editor is important, you don’t have to solve problems in the way they suggest, and 2) just because it was spoken in real life doesn’t confer power to a line of dialogue, and setting it up might be a long game.
Q: Dialogue aside for a second—you are a developmental editor through your business, Writing Partner. How do we maintain the tension throughout a novel and keep readers’ interest?
KC: This isn’t just a whole other workshop; I’m writing a craft book on the topic! Just about all fiction craft can be geared toward sustaining the reader’s interest. The most important foundational concept is what I call psychological tension—the relationship an author builds between the protagonist and the reader. A reader is hooked when a protagonist’s deeply desired goal raises a related question in the reader’s mind that she wants answered (“Can this character achieve his goal, given all the obstacles ahead?”). Now you have the reader looking around every corner to see how it’s going for the protagonist. It’s only once this relationship is created that the author can raise, dash, and reward reader expectation, which is the very definition of a satisfying read.
This year’s Write Stuff Conference runs March 23-25 at the Best Western Lehigh Valley Hotel. Registration is open! www.glvwg.org
17 Tuesday Jan 2023
Author and attorney Michael Ventrella is one of the presenters at the 2023 Write Stuff Conference
Interview by Sara Karnish
Outside of writing, Mike worked primarily as a public defender; however, he also was a lobbyist for the liberal group Americans for Democratic Action (and later served as the Massachusetts chapter President for a year), taught political science courses at Bunker Hill Community College, and was a campaign manager for a state representative. Mike also wrote songs and performed in two prominent bands, Agent 99 and Big House, which played the major clubs in the Boston area and received airplay on local college radio.
Mike also started a magazine about animated films called Animato in the mid-80s which grew to be quite prominent. He was quoted in many publications as an animation expert, including Entertainment Weekly and in the book THE DREAM TEAM: THE RISE AND FALL OF DREAMWORKS by Daniel M. Kimmel.
In 1997, Mike and his wife, Heidi, moved to the beautiful Poconos, where Mike now works as an attorney. Heidi is a Niche award-winning artist whose work can be seen in galleries around the country and in Ripley’s Believe it or Not Museums all over the world, as well as on ABC TV’s To Tell the Truth. They love the pitter patter of little feet (they have five cats: McGonigal, Mrs. Premise, Mrs. Conclusion, Doctor Who and River Song).
Michael writes humorous adventure stories. He has five novels published so far as well as a collection of short stories. He’s edited about a dozen anthologies, including Release the Virgins!, Baker Street Irregulars (with NY Times Bestselling Author Jonathan Maberry) and Three Time Travelers Walk Into… He’s also had four nonfiction books published, including one about The Beatles, two about The Monkees, and “How to Argue the Constitution with a Conservative.”
Mike is a regular fixture at science fiction conventions on the East Coast, where he appears on panels to discuss fiction, animation, and gaming. However, to many people, he’s known primarily as the Guy Who Predicted The Hodor Plot Twist.
I sat down with Mike to discuss his work as an attorney, a writer, and how they (may or may not) overlap, and so much more.
Q: You are a lawyer as well as a writer. How do your careers inform each other?
MV: Morse code.
The advantage of having a writing skill as an attorney is that most attorneys don’t. We’re taught how to do legal research and organize a brief, but not necessarily how to make it interesting to read.
I always teach that the only real rule in writing is “Don’t be boring,” and that applies to nonfiction and legal writing as well as fiction. I’ve won quite a few cases and appeals because I understand how to write well. Judges get lots of boring briefs to read, so if you can keep their attention, you’re way ahead of other lawyers.
Q: One of your sessions for the Write Stuff Conference is called “How the Law Really Works”. I think many writers know it’s important to have a copyright for their work. Can you explain what a copyright is, and just why it’s so important?
MV: It isn’t as important as you think. If you create something, you have the copyright. You don’t need to register it. Just keep your records. I email drafts of what I am writing to myself. That way, if my computer crashes, there’s a backup in the cloud. And if anyone tries to claim my work as their own, I have dated proof that it’s mine. Once you publish it, it is automatically copyrighted.
Seriously, no one is going to steal your stuff. Even if they steal your idea, the way they present it will be completely different than how you would write it. Whether you put “copyright” on the bottom of every page won’t make a difference. It’s not like that guarantees you will win a lawsuit. Evidence that you wrote it first is more important.
If you’re sending stories off, you don’t need to say “This is copyright by me! Don’t steal it!” If an editor likes your work, they’re not going to steal it and deal with a lawsuit; they’re going to say, “This is great! Let’s buy it and get this person to write even more great stuff for us.”
However, to be clear, my lecture won’t be about copyright law, but instead will be about criminal law. So many writers will have their characters arrested or break the law, and then get the procedure completely wrong. I’ll talk about how the detectives do their job in real cases, how the lawyers get involved, and how the system works (and doesn’t work). This particular lecture will provide lots of time for questions so come prepared!
Q: You’re doing another session called “How to Impress an Editor for a Themed Anthology”. What is one of the biggest mistakes an author makes when submitting a piece for an anthology?
MV: Not reading the guidelines and sending something to the editor that the editor doesn’t want. I often get stories that are not what I’m looking for, and all that does is make me mad at you for wasting my time. No editor is going to go, “I know this anthology is for stories about wizards, but golly, this story about baseball is just so good I have to put it in the book!”
I’ll have many more examples in my presentation.
Q: Your third session is “The Biggest Mistakes Made by New Authors”. Without giving too much of your presentation away, what is the single biggest mistake made by new authors?
MV: I don’t think I can narrow it down to one. That session will be a rapid listing of many mistakes (I know, because I made lots of them myself) with the idea that most people will go “Duh, of course, I’d never do that,” but then there will be one or two points that will make them go, “Ah, I never realized that. Good point.”
The problem is that those one or two points won’t be the same for everyone.
Okay, actually, I think I will list the biggest mistake: Not reading. I can’t believe there are so many people who aspire to be writers yet don’t read a lot. You’re not going to improve your work without reading any more than a musician who never listens to music will write better songs. You will learn more about how to write by reading good books and paying attention to how the author accomplishes their goals than by any other method.
Q: What is your best advice for writers at any level?
Force yourself to write even if you’re not in the mood. You’re not going to get better without practice (and this applies to any skill) so even if what you write later gets thrown away, it’s still going to make you better in the long run.
This year’s Write Stuff Conference runs March 23-25 at the Best Western Lehigh Valley Hotel. Registration is open! www.glvwg.org
20 Sunday Jan 2019
“I’m Janeen Ippolito, and I’m determined to see the world filled with amazing books and endless to-be-read piles. I write speculative fiction and creative writing and marketing resources. I’m also an experienced entrepreneur, author coach, editor, teacher, and the president of Uncommon Universes Press. Whether brainstorming a plot twist, developing a course, or analyzing marketing angles, I’m happiest when creating solutions that get your books polished and noticed in the ever-changing publishing industry.”
Article by Dawn Sooy
In her spare time, Janeen enjoys sword-fighting, reading, pyrography, and eating brownie batter. Two of her goals are eating fried tarantulas (Hmm- do they shave the hair first? Janeen: sometimes! They didn’t when I ate some freeze dried tarantulas. Had an interesting texture.) and traveling to Antarctica.
Janeen is an Air Force kid raised all over the East Coast. She went to college in 2005 to study cross-cultural communication, writing, and teaching English as a second language.
Janeen lives in Berwick, PA across the street from the town’s prettiest cemetery, which she often walks around to clear her mind. Her favorite writing beverage is water (room temperature, no ice), her favorite color is dark red, and she has been known to write tragic scenes to fluffy pop songs. She also tends to solve problems while cleaning her house. She’s slightly addicted to buying book swag, especially when it involves dragons.
Plan to attend her Friday Afternoon Class – Book to Market: Tips to Package, Promote, and Publish Your Book. Should you aim for a traditional publisher or try to publish yourself? Is there a way to make selling books easier? And what social media should you really be using? Get clarity on your publishing and marketing options from publishing industry pro and marketing coach Janeen Ippolito. These three sessions take out the “overwhelm” and enable you to make decisions with confidence about your manuscript’s future.
Saturday, Janeen continues presenting at the GLVWG Write Stuff Conference™ on March 22 & 23, 2019 with topics including:
Fundamentals of Fiction – Inside Out. Have an idea for your story, but nowhere to start? Have the start of a draft, but unsure of how to finish it? Heard a lot of writing terms, but unsure where they fit into the big picture? This workshop is for you! It starts by targeting your core motivations with key questions, then breaks down the big task of writing a story into manageable chunks and simplifies the myriad of story-telling concepts into action-items that you can use in your work right now. Come away with a solid foundation for tackling your fiction writing project.
How to Write Romantic Subplots. Think romance is just for romance novelists? Think again! Romantic subplots can enhance all kinds of fiction and broaden your reader base. Learn how to use romance to push plots effectively so that romance-fans AND non-romance fans will pick up your books!
To read more on Janeen, visit:
· Author Website: http://www.janeenippolito.com
· Facebook Page: https://www.facebook.com/janeenippolitollc/
· Twitter: https://twitter.com/JaneenIppolito
· Instagram: @janeen_ippolito
· Interview – World Building with Janeen Ippolito
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Dawn Sooy, GLVWG’s Conference Chairman, is a native of Eastern Pennsylvania, with plenty of experience the four seasons have to offer. Armed with a Computer Science degree, she worked in the tech industry until 2012. As an animal lover, she volunteers at the local animal shelter, sneaking in treats for the four-legged residents.
25 Sunday Feb 2018
A native of Wisconsin and Connecticut, DT deserted aspirations of being a biologist to live the corporate dream and raise a family. After six homes, a ten-year stint in Singapore and Taiwan, and an imagination that never slept, his muse refused to be hobbled as a mere dream. Now a full-time writer, DT writes science fiction, dystopian fiction, alternate-world fantasy, and blogs on Searching for Light in the Darkness.
Social Media Chairman for GLVWG, Dan created and maintains this WordPress blog page, and revamped the group’s Facebook Page.
Sandra Almonte had an opportunity to speak with Dan about what he writes, his blog site, and his on-going struggles as a hard-core pantser extraordinaire when he writes.
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Sandra: You write science fiction and alternate-world fantasy. What drew you to these genres?
Dan: I was the middle child of seven and more at home with a book and my chemistry set in the basement when growing up. Robert Heinlein’s “Tunnel in the Sky” was my introduction to sci-fi when I was eight. I cut my fantasy teeth with the Hobbit and Lord of the Rings, all before I reached puberty. As for alternate-world fantasy, my first taste likely came from the Stephen King/Peter Straub collaboration “The Talisman” (though I give Dean Koontz’s “Lightning” high marks for solidifying the genre for me).
I dropped sci-fi/fantasy for many years after I started raising a family and labored in the real world. I credit my older daughter for reintroducing me to it and haven’t looked back since.
Sandra: Is there a strategy you use for your blog page? Do you blog everyday? Are there days you write two (or more) blogs and post them in the future?
Dan: I started my blogging chops with a wonderful group of romance writers in 2008 and came up with the name “Blame it on the Muse” (which is no longer running). These ladies played a large role in fine tuning the craft for me. I tended more toward humor as the ‘lone Y chromosome in a sea of double-x’s, but wasn’t really into the social media thing. It was my agent, Victoria Lea of Aponte Literary, who insisted I must establish a presence, and well, let’s just say I was dragged kicking and screaming into the social media arena. Who’d a thunk I’d end up as the social media guy for GLVWG?
Maintaining a brand and presence requires a degree of discipline and consistency, which I suck at. I prefer writing stories. I set up ‘Searching for Light in the Darkness’ as a subtle riff on characters who end up in their darkest moment and must find a ‘light’ to overcome it. Lucky me, I received permission from photographic artist, Lori Nix, to use her diorama of a tree stretching to a hole in the roof of a deserted library as my cover graphic. Started with bi-monthly posts, meandered on the subject matter (I had this thing about not wanting to be yet another writer talking about writing), dates slipped, and ended up doing a monthly post. Some will say it’s not enough, but I will kick up posting frequency when I finally publish one of the half-dozen books I’ve written.
21 Wednesday Feb 2018
Benjamin Sobieck is best known as the author of The Writer’s Guide to Weapons: A Practical Reference for Writing Firearms and Knives in Fiction (Writer’s Digest Books). He also writes crime and thriller fiction, in addition to blogging about weapons in fiction on his popular website, CrimeFictionBook.com.
He is also the editor of “The Writer’s Guide to Wattpad,” forthcoming from Writer’s Digest Books. On the fiction side, he is a Wattpad Star, with more than 1 million reads on Wattpad on titles such as “When the Black-Eyed Children Knock.” In 2016, he won the world’s largest online fiction contest, the Wattys, for “Black Eye: Confessions of a Fake Psychic Detective #2.” He’s also collaborated with TV and movie studios through Wattpad and is the creator of The Writer’s Glove® http://www.thewritersglove.com)
GLVWG’s Mitzi Flyte interviewed Ben on the following questions.
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Mitzi: Who are your favorite thriller writers and did they inspire you?
Ben: I enjoy writing thrillers because they offer flexibility that other genres can’t, which calls into question what a thriller is in the first place. Its fences are less defined, allowing me to meander and borrow. I’ve written horror, mystery, and adventure, but I could stick them all comfortably into the thriller box. The elements of surprise, action and high stakes are all present. It’s more of an attitude than a set of rules.
I admire David Morrell’s take on the thriller (he’s the godfather of the genre, after all), and I pull from him for the character-driven elements. He knows how to make action happen without reducing the characters to props.
However, most of what informs my writing comes from non-fiction. You’ll find all the surprise, action and high stakes you could ever need in news media and long-form journalism. The writing is more clinical, but there is no less a narrative component than there is in any piece of fiction. I could read the newspaper all day. This keeps my fiction from going off the rails because the inspiration is grounded in the human instead of the fantastic. My best stories didn’t lose sight of their humanity.
As for my worst stories…well…let’s just say they weren’t only lacking humanity.
18 Sunday Feb 2018
Richard White is a science fiction/fantasy author, but he has also been known to do dark fantasy, new pulp, historical adventure, fantasy noir, and non-fiction. As a media tie-in writer, he’s written for Star Trek, Doctor Who, and The Incredible Hulk.
Rich made his first professional sale in 1975 when he sold a sports article to the Hallsville (MO) Top. Over the next several years, he became the sports editor and wrote articles and editorials for the paper. He was a sports reporter at the University of Central Missouri’s radio station where he wrote/edited on-air copy and did interviews with local schools sports teams.
Rich is a member of the Science Fiction and Fantasy Writers of America and the International Association of Media Tie-in Writers. He also serves on SFWA’s “Writer Beware” committee.
When not writing, he shows an inordinate amount of interest in sharp pointy things. Rich picked up fencing in college, learning the foil. Also, while attending the University of Central Missouri, he was introduced to the Society for Creative Anachronism, where he learned the art of sword fighting using both broadsword and shield, great sword, and pole arms. He also was an apprentice armorer, learning how to make both leather and steel armor pieces for other members. Additionally, he was a herald for the West Kingdom, doing both field and court heraldry as well as designing over 40 coats of arms and badges for members of the Barony of the Dark Woods. Rich’s current sword-related vice is Kendo, where he has achieved the rank of Nidan and is studying both Itto (single-sword) and Nito (two-sword) styles of Kendo.
The 2018 GLVWG Write Stuff Conference™ is using Richard’s skills to present sessions on:
To read more on Richard, click on the following links:
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Article by Dawn Sooy
A native of Eastern Pennsylvania, Dawn has plenty of experience with the best and worst four seasons have to offer. Armed with a Computer Science degree, she worked in the tech industry until 2012. She’s married to a great guy and between them, have four children, two grandchildren, and one great-grandchild. As an animal lover, she volunteers at the local animal shelter, sneaking in treats for the four-legged residents.
Too full of energy to even consider a rocking chair, with an insatiable itch to write, Dawn published six short stories, the most recent, “Love Knows No Boundaries,” featured in the GLVWG anthology, Write Here – Write Now. She is currently working on a full-length novel titled, “From The Darkness,” scheduled for publication in early 2018, with plans to publish a horror anthology later in the year.
14 Wednesday Feb 2018
Tags
Book Club Babble, Book Marketing, Editing, Indie Publishing, Writer Courses, Writing Conferences
I’m a Storyteller …
I always have been.
When I was a little girl, I wrote poetry, horse stories, adventure tales. I daydreamed about far-off planets, brave heroines, epic journeys. Then life happened. A good life, full of love, laughter, tears, children, work, play, and real adventure! Time passed, but the stories, they were still there, and one day I began writing them down again.
GLVWG’s Sandra Almonte interviewed Tabitha author of the award-winning Horizon series.
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Sandra: I would like to start with…you have a HUSBAND, FOUR kids, TWO cats AND a black lab. How in the world do you find time to write? Do you have a set time you “get away” to write? What advice can you give those of us that think we don’t have enough time in the day to write?
Tabitha: I’m hyper-organized, and if someone really wanted to mess with me, hiding my to-do lists and notebooks would send me into a tailspin! Seriously though, I work with a calendar and plan out my time so that I feel proactive instead of reactive, and I can ensure that I’m attending to my priorities first. I wrote a blog about my obsessive organizational habits, Inside a Writer’s Mind – On Editing, while working with a calendar, and I’ll be sharing thoughts on that during one of my programs at the Write Stuff conference.
But really, there’s never enough time until you decide to make the time. Once I commit to writing a new draft, I protect my creative space fiercely. And, over the years, I’ve learned a lot about effective habits, my personal rhythms, and the amount of time I need in order to have a productive creative writing session. I plan my schedule with this information in mind.
Sandra: You’re also a senior writer at Book Club Babble. How did you become part of that group? How do you juggle your own blog and book writing with writing for the club?
Tabitha: Several years ago, my friend and I attended the Writer’s Digest Conference in NYC for the first time. I think one the best things about conferences are the fantastic people you meet who become part of your writing “tribe.” That year, we met some fellow writers who had just started a book blogging web site. They invited my friend and me to guest post, and within a few weeks asked if we wanted to partner with them. There are now seven of us – six who do the writing and interviewing, and one who specializes in marketing strategy and promotions. We read every book we promote, but we don’t promote every book we read. We pride ourselves on the quality of our recommendations, and on the care we give to each author.
I love this work. It gives me an opportunity to read in all genres, and to assure that I keep up the habit of reading even when I’m busy with my own writing projects. The writing community is so supportive of one another, and it’s gratifying to read something wonderful and then be able to enthusiastically promote it on a well-respected platform with good reach.
11 Sunday Feb 2018
Jane K. Cleland was born in Boston and reared in Newton, Massachusetts, graduating from Newton High School. She then attended the University of Denver, graduating with a B.A. in English and Theatre. She obtained an M.B.A in Marketing and Management from Babson College and an M.F.A. in Playwriting and Speechwriting from Western Connecticut State University.
Jane is the author of the Josie Prescott Antiques Mystery series, which includes eleven novels published. The first Josie Prescott book was an Independent Mystery Booksellers Association bestseller and nominated for the Agatha Award, Macavity, and David Awards for Best First Novel.
Her non-fiction publications include “Mastering Suspense, Structure & Plot,” which is the winner 2017 Agatha Award: Best Nonfiction.
Bernadette Sukley had an opportunity to speak with Jane about her writing and helpful hints to other authors.
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Bernadette: What prompted you to start writing? An inciting event? A teacher? Some inner calling?
Jane: My mother was a writer, so I grew up thinking that’s what women do. And then there was Nancy Drew. The first time I read one, I knew I wanted to write that kind of book.
Bernadette: Question: A favorite author(s)? Why?
Jane: Rex Stout’s Nero Wolfe mysteries, Robert B. Parker’s Spenser mysteries, Irwin Shaw’s NIghtwork… I could go on and on.
Rex Stout: He created a world where honor and decency count above all. And the books are funny and charming and a love poem to New York. (Mr. Stout wrote from 1934 to 1975. The stories from the 40s, ‘50s, and 60s are my favorites.) I’m an active member of the Wolfe Pack, the literary society that celebrates all things Nero Wolfe. http://www.nerowolfe.org
Robert B. Parker: He created a world where honor and decency count above all. (Do you notice a theme?) Early Autumn is, in my view, a literary masterpiece.
Irwin Shaw’s Nightwork is also a literary masterpiece. It’s a story of redemption, of the incredible power of second chances.
Greater Lehigh Valley Writers Group 